Tuesday, June 17, 2014

Guest Author Maryn Blackburn

A Huge Welcome

Today I welcome my friend and fellow author Maryn Blackburn to my blog. I am very excited for her - this is Maryn's first published novel and it looks simply delightful! I wish her all the luck in the world.

***



Thanks for having me, Evelyn. (My mom would be so pleased I remembered my manners.) I'm Maryn Blackburn, author of Brick by Brick, a ménage à trois novel published by Loose Id. Here's what it's about:

A quick summary of Brick by Brick:

Natalie and her husband James, who runs a Tucson masonry firm, are happy enough despite business being in a continued slump. After nearly a decade, their sex life has less spark than it once did. They've idly talked about a threesome, although they cannot imagine who (or how) they could ask. It's a spicy fantasy until the night they attend a party where handsome actor Gage Strickland needs another guy to rescue him from his adoring fans, all of them women.

After two bottles of first-rate wine, their fantasy becomes a reality, but not the one Natalie imagined. She is not the object of two adoring men, one of them faceless and conveniently disappearing when the loving's done. Instead, the other man is the gorgeous Gage, he's the one in the middle--and what does that make James?

Because she loves her husband, she accepts his new reality. Their intimacy is refreshed, their needs like newlyweds' as the days pass waiting for Gage's call, until they can only conclude he never will. They were a one-night stand.

Gage does return, seeking not just sex but a relationship, although he has no idea how they work. He has his reasons for choosing sex with strangers in the past, since they've been eager to do what Gage wants for the bragging rights. Now he's inclined to leave at the first sign of trouble rather than working through it.

Tripped up by Gage, the ménage stumbles often but continues. Natalie soon fears her James prefers Gage over her. There's one thing Gage won't do in the bedroom, but is her willingness enough to hold onto her husband? Or will Gage sabotage the whole thing before they reach that point?

I hope I haven't told too much, but it's probably like telling you Dorothy makes it back from Oz. You know how it's going to play out, just not the details. Like Mom said, the adventure is in the journey, not the destination.

Oh, and the one question which will come up? Yes, Gage is based on a real actor, although it doesn't matter who. But know this: A book that starts out as the worst sort of fan fiction, imagining your life intersecting with an actor's and what might happen next, can become something richly complete and entirely free of him and yourself. I actually prefer Gage to the man he's based on, since I got to mold him. The actor refuses to let me do the same for him, as if he had the right to control his own life. Imagine that!

Excerpt from "Brick by Brick" by Maryn Blackburn

“You’re an actor too?” Gage sat straighter, his expression freshly attentive.

I rarely saw James flush with pride, not even when customers gushed about his artistic masonry. “Just TV ads.” He drank. “None lately.” He lifted himself from the recliner with a little groan, then added another log to the fire and prodded it to life.

“They still show his cotton ads,” I said. “Putting on a T-shirt. Taking a pair of jeans off the clothesline and smelling them, and the camera goes back and you can see there must be hundreds of pairs. Flopping onto this big bed and the sheets puff up around him. My sister thought that one was dirty, the expression on his face.”

Gage was a good audience, listening more than talking, laughing a lot when I blurted whatever was in my head without thinking first. Time glided past rapidly. Gage moved to refill my glass; I wasn’t sure that was such a good idea. I asked James with my eyes if I was doing all right.

“Go ahead, Nat,” he said. I knew that lazy smile. He wasn’t drunk, just uninhibited, loose to the nth degree. Some of our best sex included that look—and some of James’s best TV ads did too. “It’s a party, isn’t it?”

“Yeah.” Gage filled my glass halfway before the bottle emptied. “A good party.”

“With only three, I think we have to call it an intimate gathering,” James said.

Gage’s smile dazzled. “Do I open the next one?”

What the hell. “If you like your gatherings really intimate,” I said.

“I think she wants you to stay,” James said, laughing. “Open it, already.”

The cork squeaked out. “See if you taste layers of fruit.” Gage sounded a little buzzed too.

James sipped, rolling the wine in his mouth with a frown of concentration.

“Taste it? Blackberries and raspberries? Kind of voluptuous and round. God, listen to me, one bottle and I turn into a pompous wine asshole. Anyway, it’s really ripe and full-bodied. Like Natalie.” He held his glass up, admiring the color.

Or toasting me? No. Ridiculous.

James raised his glass as well. “She’s something in that dress, isn’t she?” At Gage’s nod, he added, “You ought to see her out of it.”

“James!”

“She’d do it, I bet, if we did.” James loosened his tie and pulled it off, carefully folding the silk and placing it in his jacket pocket. “Come on.”

“Too bad I’m not wearing a tie. Guess I’m out of the running.”

“You could take off the jacket. You might even…unbutton your collar.” James peeled off his own jacket and unbuttoned his shirt fully. “Come on, do something.”

Laughing and shaking his head, Gage undid the tiny button closing the collar band at his throat.

James stroked my back lightly while Gage tossed his raw silk jacket aside and unbuttoned his shirt’s next two buttons.

My husband slipped his shirt off and let it drop to the floor. For the thousandth time I admired his broad shoulders, the golden down on his chest, the delicate pink nipples, the flat belly.

“Topless. Pretty wild.” James sipped his wine. “Come on, Gage. If we both do it, she will. What do you think?”

“I think,” Gage said, “I’d better call a cab.”

“Don’t.” James picked up his shirt and threaded one meaty arm into a sleeve, then the other. “It’s just—I don’t know how to do this.”

“Do what?” His eyes narrowed to slits, Gage watched James with suspicion anyone could see.

James drained his glass in two gulps. “French courage,” he said. “Damn, that’s good. Ask you to join us. She’s—we’ve—talked about another person a lot, and this seemed perfect.” His face glowed pink. “I’m a little high, or I wouldn’t have done anything. Or maybe I would have, but more gracefully. In a Lafite-Rothschild kind of way.”

His crooked grin melted me, as usual. Gage’s expression softened too.

James poured himself a dollop of wine. “Excellent wine, really, too good to take the blame. It wasn’t the wine talking; it was me.” James shrugged. “I’m sorry. You can button your shirt. That’s the end of it.”

“You mean,” Gage said, addressing the wineglass he rotated in his paired hands, “that you both want to add another guy?” He turned his gaze on me. “You meant it about two men?”

“Daydream number 1A, useful during masturbation, subtitled films, and traffic jams,” I said.

Smiling, Gage turned to James, whose shirt still hung open. “And you don’t mind, another man with you and your wife?”

“I don’t number my daydreams,” James said, “but it’s up there. With real-world conditions.”

“Sure,” Gage said. “Safe sex. Time to talk travel and transfusions and every partner we ever had. God, I hate this part.”

We weren’t the risk. There must be millions of women who’d forget boyfriends or husbands to have sex with Gage Strickland. He could easily have had hundreds or thousands. Had he been safe every single time? “Married forever, faithful the whole time,” I said. “What about you?”

“Now I wish we’d gone to my hotel. See, in a couple weeks I start a movie, and they make you get a physical first. To insure the production? Last time, there was some kind of paperwork screwup, a nightmare. So I got copies of everything, for in case. I have written proof that I’m healthy. Want to go see it?”

“Yes,” James said.

“Okay. Are you good to drive, after the wine? I’m not sure I would be. We could still call a cab.”

“Safe isn’t just about sex,” I said. Were we really going to do this? The possibility of sex with a movie star was bizarre, checking his papers surreal.

James caught my eye and raised an eyebrow, silently asking. I gave him my opinion in that near-telepathic way long-married couples use, without saying a word.

He beamed first at me, then at Gage. “Never mind. That you’re willing tells us you’re healthy.”

“I am. When I was young, I wasn’t always careful. I never got anything, but only an idiot trusts luck in the long run.”

James took the lead, easing me to the center of the sofa. He gestured for Gage to remain at one end, where he sat with his hands folded, prim as an altar boy awaiting his cue. Was he hiding the stirrings of a fledgling erection?

The kiss was slow and deep. My hands explored James’s back and the upper part of his buttocks. At first, I would have liked to see Gage Strickland’s face, but I forgot about him by the time James pulled back.

“God, you’re sexy,” James said, leaning me back against the center cushion and nodding at Gage. With a half smile playing on his lips, Gage hesitated a moment, then touched his lips to mine.

Gage was a different kind of kisser, every bit as good as James. Where Jamie’s kisses revealed urgency before sex, and the languid aftermath, Gage’s was tender, unhurried, more for the pleasure of the kiss itself.

I stroked his back with one hand while the other squeezed Jamie’s hand. Could he feel my excitement, my gratitude, my anxiety? Maybe we should have left this an act of the imagination.

Gage paused, smiled at me for a moment, kissed me again, then eased away. “He’s right. You’re sexy.”

“Natalie likes the room pretty dark before she’ll undress. How about just the fire? Set your glass someplace safe.”

Naked in front of Gage Strickland, who’d done nude scenes with size 2 movie stars? Colossal Cave wasn’t dark enough.

James flicked the three-way lamp to medium, bright, then off. He took his and my wineglasses to the mantel and added another log to the fire.

I watched Gage put his glass up, a little away from ours, then pull off his shirt. In the dancing firelight, a jagged scar on the side of his belly caught my attention. Without thinking, I stood up, my fingertips tracing the rough braids of skin above his belt as if I had the right.

“Car wreck,” he said. “It’s so ugly.”

James lifted my hand away. He brought it to his lips, kissing my damp palm. He tongued it while he let his fingers run down my back. Although the room was warm, it gave me a little chill. His hand lingered on my bottom until I pushed my backside toward his touch a little, demanding more. Instead his fingers walked up my zipper.

I knew what was coming and froze, petrified.


Interview with the Characters:

Interviewer: What is it that drew you all toward a threesome?

Natalie: Have you seen Gage? My god, the man's handsome. I remember feeling aroused the first time I saw him, although at the time James was the only one I I thought would benefit.
James: That would have been great, but what happened was better. Who doesn't get a rush from something new? Plus Natalie's right. Gage has the kind of bone structure the camera loves, and he takes care of himself. So at first it was just animal attraction.
Gage: Shut up, both of you. Polished rock in a fancy box.

Interviewer: Oh, you're modest, then?

Gage: No, I'm kind of vain, but I know physical attraction only goes so far. If you're a handsome son of a bitch who's selfish or mean, any relationship is doomed. Well, unless you're happy with a door mat glad to have the mud off your shoes. None of the outside matters. It's who you are inside.
James: "It's who you are inside"--and I've been inside. Very nice.
Natalie: James!
James: Relax. They know already. That's part of why they want to read about it.
Natalie: Looks are for the early part, before you have more to go on. The two men I've been in love with? I don't even see them as they really look, which is a shame. The fact that I love them makes them attractive to me. I'm going to want these two when they're losing their hair and sporting beer bellies, I imagine.
Gage: Yeah? Not that I plan to get fat or lose my hair, but who does?
James: I do. I couldn't believe how a few weeks off equals a few pounds on. I should be laying brick for the exercise alone.
Natalie: Or giving up beer.
Gage: Like that's going to happen.

Interviewer: What are some of the challenges of a three-way relationship?

James: People don't get it, or they don't approve. With strangers, you try not to care. Fuck 'em, right? But you can't adopt that attitude with family. My twin brother was a total dick at first. And the people you work with look at you funny, although since I own the business, they don't say anything. They may have to accept it, but they don't have to like it.
Gage: I really worried my career would take a hit. What if they only sent my agent scripts with a bisexual or gay character? But so far, both the industry and my fans seem to be all right with it. And the press gave me fifteen minutes of the spotlight then moved on to somebody else. There's no shortage of celebrities doing shocking things, huh?
Natalie: Being in a committed relationship probably helps everyone get over it. People approve of love.
James: It's pretty hard to come down on the other side of that. It's like opposing good health.

Interviewer: So being in love means it's been smooth sailing, for the most part?

Natalie: Hardly. Three people means three times the problems. Jealousy, that was a big one for me. This new guy's handsome and rich and not the same old thing. Just try to compete with that.
Gage: I didn't even know it was a competition, much less that she thought I was ahead.
James: I never stopped loving you, Nat. You know that.
Natalie: Well, now I do. At the time, I wasn't so sure I wanted to share you.

Interviewer: And now you do?

Natalie: And now I can.
James: I'm not the linchpin here. Nobody is. We all share ourselves with the other two.
Gage: Don't ask me to share the dinosaur mug. That's mine and Natalie's.

Interviewer: There's an inside joke here?

Gage: Yes. Can I?
Natalie: Go ahead.
James: I don't know what either one of you is talking about.
Gage: So listen and you will. There's this cup, with a dinosaur attached to the bottom, inside. It's cute.
James: Oh, that. It's juvenile.
Gage: Which is why you never use it. So Natalie's always the last one who used it, and that's why I like to choose it. Which is also juvenile.
Natalie: But sweet. It really is. Why don't you say things like that, James?
James: I don't have to. I love you, and I buy you waffles.

Interviewer: Another inside joke?

James: Yeah, but it won't be funny to anybody else. Let it go.
Natalie: Good idea, but maybe we should go out to breakfast.
Gage: Fruit plate for me. My agent says I'm getting fat.
James: He's wrong.

Interviewer: Your images on the cover suggest you're all in great shape. Any workout or diet tips?

James: Lay brick for six to ten hours a day, five days a week, sometimes six, and eat whatever you want. Also, I was sucking it in a little.
Natalie: Keep your curves covered in dark clothes and hide between two guys who are buff?
Gage: Oh, stop. Natalie's body is how women are supposed to be shaped, as round and full as a great wine. Look, she's blushing. My tip is eat less than you want and put yourself in the hands of the most sadistic personal trainer you can find a couple months before filming starts.
Natalie: And get yourself an agent who knows you're a pro who will be in shape when it's needed?
Gage: Yeah, that, when your contract is up.

Interviewer: So, back to the threesome. What smaller problems does a ménage present?

Natalie: Even with a big bed, somebody's in the middle and can't control how much of the covers is on them. Usually it's me.
James: Poor Natalie, suffering so much. Here's one: It's hard to agree on what you're going to do, whether it's a movie or what to make for dinner. Pleasing three is way harder than two. We've given up on trying to pick the restaurant. Gage does that.
Gage: I'm still trying to strong-arm them into letting me set up a vacation. They don't have passports, which puts a crimp in it. Small problems? There's never enough coffee for three. I always need to make another pot, but then we waste it. Half-pots never come out right.
James: You suffer nearly as much as Nat with her covers.
Natalie: Tragic. I'm really aware--we all are--how trivial our problems are. I don't want us to seem all smug fussing over the blankets and coffee and vacations when people face real crises every day with courage and grace. We know we're so very lucky.
Gage: See why we love her?
James: How could I not?

Saturday, May 31, 2014

Under the Spotlight: Having my Writing Critted

Having my Work Critiqued - 

A Frightening (?) Experience

The Ten Copies

Several months ago, I joined a local writer's critique group. I'd been looking for a group for some time, searching for other dedicated writers who would meet in person on a regular basis, discuss writing-related issues, and who could help me identify flaws and weak spots in my writing - as well as give me the thumbs-up when a piece is working well. It was time to bring more people onto the "Gail Bridges, author" team.

My husband is my primary developmental editor. He does a stellar job treading the dangerous waters between: "This is wonderful! Send it to your publisher - now!" and: "This chapter goes nowhere, does nothing, and is boring. Do you even know where your story is heading?"

He isn't known for mincing words. 

When I approached him about joining a critique group, he agreed with me that it would be helpful to bring in other voices, other opinions, other feedback.

"Give it a try," he urged. "What can it hurt?"

An online friend invited me to join her critique group. The group - No Safeword Writer's Group - seemed like a perfect fit. They're affiliated with (or used to be, it's hard to tell) The Center for Sex Positive Culture in Seattle, Washington. According to the group's blurb, a person is a good fit for the group if he or she has:

1. Written something that you thought was erotic,
2. Read erotica at least once. (Your own stuff counts!)
3. Learned to respect yourself...along with other people and their writing,
4. Decided you're ready to share your work.

Okay. According to those parameters, the group would be a good fit for me and my work.

I went to an introductory meeting. Nice people, great conversation, and an interesting, well-informed critique session for the person who was sharing her work (which turned out, coincidentally, to be my internet friend.) I joined the group, right then and there. I also signed up to share a chapter of my novel-in-process, Over the Edge, at the next meeting.

The Meeting


The Chapter...With Plenty of Red Pen Marks

The day before the meeting, I went to the copy shop and made ten copies of the fourteen-page chapter. They made a nice little stack.

I wasn't nervous. No. Not me. Uh-uh.

The day of the meeting, my husband and I went to the restaurant, a dingy, dim, throwback fifties-style place with booths running along each long wall and a jukebox in the front corner. We went into the back room, the room with surprisingly charming stone fireplace, and took our seats. My internet friend was already there, wearing a gorgeous hand-knit scarf. We ordered lunch, chatted, got to know the other people - and all the while those ten manuscripts were getting heavier and heavier, burning a hole in my shoulder bag. I had a hard time concentrating on the conversation. My thoughts were running rampant: What will people say? Will they like the chapter or will they tear it to shreds? I won't burst into tears...right?

No, I wouldn't. I could take whatever they'd dish out.

I knew how to take constructive criticism. I'd done this sort of thing before. In Art school I had my work critted (the way the cool people say it) many, many times.  I'd even had my writing critted in Creative Writing courses at the University of Washington. So I'd had plenty of experience - but, somehow, that didn't make it any easier as I looked down the table at the faces eager to see my work.

It was time. Catching-up-and-chatting time was over. The food had been served. The group leader motioned for me to pass out the chapters, and she handed around red ball-point pens. "For the next hour or so, we'll eat our lunches and read your work - and write comments," she explained in her rich Texan accent. "Then we'll discuss it for maybe another hour after that. All nice and tidy. Sound good?" She turned to me. "Ready, hon?"

"Yep," I said, smiling, trying to seem confident. "go for it."

"I can't wait to read your work," said my internet friend, settling in with the manuscript. She popped the cap off her pen and held it at the ready.

Then passed the longest hour in the history of writing.

It was grueling. I nibbled at my hamburger while the people around me slashed and burned their way through my manuscript. At least that was what it looked like from the clandestine peeks I stole. Every time someone put pen to paper, I cringed. One person made slashes so large I could see them from where I sat. Another person wrote a paragraph of tight red writing on the margin of the page. Yet another had an entire list of things. When I couldn't take it any longer, I ate a French fry.

And then there was my husband. He had a red pen too. He, also, was slashing and burning. "Weird," he murmured, raising an eyebrow my direction. "...I didn't see this when I read it before."

Lovely.

The Critiques

All in Good Faith

"It's time," said the group leader. "Put your pens down. Who would like to start the discussion?"

A slim man immediately spoke up. He looked from the manuscript to me, his eyes bright. "I'm looking at the first sentence. It could use work." He tapped the paper with the pen, leaving little red dots on it.

"I liked it," said the group leader.

"I don't know...I think if she switched the words around, it would be stronger."

"She could use a stronger word, maybe," said the man sitting at the end of the table.

"Or eliminate the sentence altogether," said the first man.

The woman shook her head. "Don't listen to them, hon. Keep it like it is."

"I agree," said my internet friend.

And so it began.

I took notes, my husband took notes. We filled our own copies of the manuscript with hurried, cramped, barely-legible writing, trying to put their suggestions into our own words. These people were good. The suggestions were right on, most of them. One after another, without respite, they suggested places I could tighten up this, expound on that, provide a bit more background...and so on.

After the discussion wound down, the leader collected the marked-up manuscripts. She patted them into a neat bundle, set them on edge, and tapped the top. "Remember what I said, hon. It's your story. It's your voice. You get to make the decisions." She handed the bundle to me. "But here's the thing. If only one person has a suggestion about a particular thing, think about it. If six people all say the same thing...really think about it."

"Thanks," I said, stuffing the papers into my shoulder bag again. "This was amazing. I'll think about everything, for sure. I'll go over the notes with a fine-toothed comb."

"We both will," added my husband.

The leader put her long-nailed, black-polished fingers on my arm. She leaned in close. Her breath smelled like French fries. "Hon. They loved your work. They never get this excited unless it's for something they're absolutely crazy about."

I grinned. Nice to know.

Working on the Changes

Was it worth it? Absolutely. 
Was it frightening? A bit, but in a good, helpful way
Will I do it again? As often as they let me!



Monday, May 26, 2014

Emergency at the Coffee Shop

Help Me - Please!

Today's Drama at the Coffee Shop


She staggered into the coffee shop, making strange noises.

I was at the table by the door, writing. I looked up from my novel as the woman crossed in front of me, her arms flailing, her shoulders shaking. All around me, heads turned, conversation stopped, chairs pushed out from tables in a collective gasp. Was this woman an oddball, come to disturb the peace? Was she insane? What was she doing? Why was she making such strange sounds? And why was she heading straight for the handsome young man ordering coffee at the counter, as if to accost him?

"Wrrrr grrrr orrr grrrr!" the woman howled. "Orrrr grrrr! Orrrr grrrr!"

I stared at her. I couldn't help it. We were all staring.

The woman was young, twenty-five maybe. She wore a black t-shirt and dark jeans. She carried a leather handbag. Her black hair was cut into a chic bob, and - I gulped - her jaw hung open in a most horrible way. As in, not straight. As in, hanging almost to her neck. Obviously, this woman was injured. She needed help. Everything changed in an instant.

Hands went to chins all around me.

"Wrrrr!" she cried to the young man, stopping in front of him, invading his personal space.

The man's eyes widened. He didn't back up. But he was nervous. He didn't reach out to help her, not right away. The barista leaned over the counter, a cell phone in her hand, about to call for help.

"Hrrrr eeee? Eeee?" moaned the woman. This time, the meaning of her words was clear: Help me? Please?

"What can I do?" the man said, making his decision. He set down his coffee, staring at her jaw.

"Hrrrr." She whipped a laminated sheet from her handbag and jabbed her finger at it. The man took it and narrowed his eyes.

"You want me to do this?"

"Essssss!" She leaned forward, neck extended, face tilted hopefully up at the man.

I was still staring at her. Everyone was staring. The man at the table next to me stood up, as if to help, but he soon sat again. Two women and a child chose that moment to wander into the shop. They stopped in their tracks, suddenly aware of the scene which was unfolding in front of them. The older woman clutched at the arm of the younger one, who took the child by the hand. They stood to the side. Waiting. Watching. With the rest of us.

"Oooo eeee," said the woman. Do it.

The man looked again at the paper. He rubbed his palms on his pant legs, took a deep breath, and put both hands to the woman's jaw. Then he gently placed both thumbs inside her mouth. There was dead silence in the shop. Not even the clink of a spoon against a coffee cup. Only the woman's heavy breathing. The two of them - and the barista - stood locked in place, a tableau that sucked the air out of the rest of the shop.

The man pulled gently on the woman's jaw. Her face went white, the cords in her neck strained, but nothing happened. A high, thin sound came from her, the sound of distilled pain. The man took his hands away.

"Do you want me to call 9-1-1?" asked the barista, leaning so far over the counter that her hair brushed the napkin dispenser.

The woman shook her head. She pointed at her jaw again. "Eeeeee? Eeeee?"

The man put his hands to her face again. And again. And then again. Finally, he threw up his arms. "I'm sorry, it's not working. I can't do it."

"Shall I make the call?" asked the barista.

The woman's shoulders slumped. Defeated, she nodded. Slowly, she raised her hands to her mouth, which hung open, dripping saliva. Moaning, she touched her chin. She leaned against the counter, her chest heaving, as the barista quickly and calmly explained the situation to the responders.

"Are they coming?" asked the man.

"They'll be here in a second," said the barista. "Honey, can I get you a chair?"

The woman shook her head. She just stood there, rooted in place, looking miserable.

"Ice?"

She shook her head again. Time slowed to a standstill. The man who'd tried to help shifted his weight from foot to foot, but he stayed put. I looked away, unable to take the pain in the woman's eyes as she waited for help to come. Sounds started up again in the shop. A chair scraping on the floor. A child's voice. A coffee cup rattling on the table. We were waiting, all of us.

When I looked up again, the man had enfolded the woman in a hug. He patted her back gingerly, and rocked her back and forth. Even from where I sat I heard her sobs.

"Let's try it again," he said.

She nodded. She stood still as he put his hands to her face again.

This time her jaw snapped into place. She jerked. She put her hands to her lips, and smiled at him. "Oh! Thank you!" she said with a hitch in her voice, so near to crying I could almost hear the sobs breaking through. "Thank you so much." She worked her jaw up and down, back and forth, slowly, carefully, as if it might suddenly pop out again. Maybe it would. "I hate it when that happens!" she said as she stuffed her laminated instruction sheet back into her purse. "I just hate it."

"How often does it happen?" asked the man, looking flushed.

"Too often. Oh! Listen. They're coming."

Sirens in the distance.

In another moment, a fire truck pulled up out front and four firemen came hurrying in, surveying the shop. They looked around, not knowing where to go, who to help. There was no blood, no yells, no-one in obvious distress.

"Over here," said the barista.

"I'm fine now," said the woman, facing them, abject embarrassment on her swollen face. She gestured to the man. "He fixed it for me."

The firemen talked to her for an additional few minutes, then they filed out the door and were gone. The woman hugged the man who'd helped her, but this time, the hug was a quick, bashful one, not the soul-breaking one of earlier. "Thanks again. Really. I mean it. I won't ever forget your kindness."

And then, she turned around, clutching her purse to her side and gazing straight ahead - because, of course, everyone in the shop was staring - she left.

And that was that. As if it had never happened.

But it had. And it did something to me, all that pain, all that helpfulness, all that witnessing, and it made me wonder ... what if it had been me at the counter instead of the young man? Could I have done what he did? I hope I would have, but I'll never know.

I hope the woman's jaw stays put. I wish the best for her. But I'm afraid that sometime, someplace, her "How To Help Me" laminated sheet will be pulled out again to be thrust at strangers in utter desperation.

I only hope she finds someone as kind as the young man at the coffee shop.

Not an ordinary day at the Coffee Shop







Wednesday, May 21, 2014

Reality Bites (Eavesdroppers Anonymous)

The Intrepid Eavesdropper


She's at it again.

The Intrepid Eavesdropper has been gathering One-Liners, tiny little morsels that have quite a punch to them. Each of them makes me wonder about the rest of the story: What happened in Rwanda? What is a Rodeo Commissioner, anyway? So - before I give them all away - here are they are.

Reality Bites: One Liners


1: "Hey. Tell me about Rwanda."

2: "She studied so hard. She took forty-five practice tests! When she finally took the test and sent it off to them...well...she never heard back. Never heard a thing. Nothing. Why? Why is that? Why would they do that to her?"

3: "How did you write it? I mean, seriously—how did you do it?"

4. (Extremely outraged.) "You never told me you had another grandkid!"

5. "The rodeo commissioner is coming on Monday with his score card."

6. "You know what Molly said to me this morning? 'Mommy! Mommy! My goldfish recognizes me now! He just did tricks for me in his bowl!' Isn't that too cute? I couldn't bear to tell her the truth."

Looking cute is a trick, right?


Snippet Number One: We'll Do Great Things


Two men are at the next table. Both have crew cuts. They're in their fifties, or maybe their sixties. One guy is doing most of the talking. He's excited. He talks fast, his words clipped, his voice full of excitement. He teeters on his chair, leaning back, leaning forward, rocking even. The back of his neck is pink from too much sun, and the bottom of his crew cut sticks straight out from his head like a bristle brush. Evidently, the two men are Christian film-makers, discussing a collaboration.

"I was in Ethiopia, doing a project," says Crew Cut. "I was working with Jeff. You remember Jeff? We were dragging our stuff around the villages, you know, doing our jobs, talking to people, spreading the word. We had the support of five churches, maybe six. I got back to my hotel one night, looked at my camera, and ... BANG! I said, why don't we make a documentary?" Crew Cut bangs his chair onto the floor, as if he were doing sound effects.

"How did it begin?" The other man is soft-spoken, but I feel that he is the one with the power, the one that Crew Cut is trying to impress. "Tell me how you got it going."

Crew Cut leans forward. "I knew I could make a documentary about what we were doing. I sat down that same night and planned it all out. Stayed up all night. I wrote it all down on a white board, every last idea. The story board, you know. In the morning I showed the story board to Jeff. He got behind it right away. He was all excited."

"Yes. He would be, wouldn't he?"

Crew Cut is in such a hurry to tell his story to this man that his words are starting to slur. "So we began filming, like two days after. We already had a camera, you know? Other people helped us. We had a driver, and Christian kids from the local church." Crew Cut crosses his legs, then uncrosses them. He leans forward. "The locals were confused about what we were doing, but we ended up with a knock-out film, you know?"

"You showed it around, if I recall?"

"Absolutely. In churches all over the country. People loved it. Craig Wright especially put his weight behind it."

"Really?"

Crew Cut's voice lowers. "But it all went sideways. Jeff got ran over when it went sour. He took the brunt of it."

"Yes. I heard about that."

They're silent for a long moment. They drink from their coffee. Then Crew Cut leans forward again.

"We're going to start a new project," he says. "We're going to bring Rick and Bobby in."

"Good thinking."

"There's a story there - I'll tell you the whole story if we end up working together. Rick fired Bobby's guys, the specialists that he'd brought in, and that didn't sit well with Bobby. It's like politicians, you know? They're jerks."

The quiet man regards Crew Cut. He seems to come to some sort of decision. "I like you," he says. "You're a great producer, and you're part of a good community. You have people backing you. "

I can tell that Crew Cut is almost weak with anticipation. And then it comes, the words he's been waiting to hear:

"I'd like to work with you.We'll do great things."

Why don't we do a documentary?



Snippet Number Two: A Special Case


Two women are squeezed into a nearby table. As in Snippet Number One, one of the women is doing eighty percent of the talking. I find her voice very irritating, very loud and gravelly. She talks with lots of animation, hand movements, shifting around in her chair, bobbing her head - she could almost be Crew Cut's twin sister. She has neck-length curly blond hair and sunglasses perched on her head. The second woman seems to have only two positions she's comfortable in: she's either resting her chin on her hand, or she holds her hands clasped primly together on the table. It's a sunny day. I get the feeling that Prim Hands would rather be anywhere rather than here, talking with Gravel Voice. It's my guess that both of them are administrators for the Seattle Public Schools.

"Those kids were wild," says Gravel Voice. "I went in there to help the teacher because she couldn't control them. I told those kids, no inappropriate touching. Absolutely no touching, ever. No touching other kids, even through clothing."

Prim Hands nods. "There were problems in that class, yeah."

"Where was the principal?" demands Gravel Voice. "The class was eroding! The parents were in an uproar. The kids weren't happy. The teacher was falling apart." She sets her coffee cup on the table. "The Principal didn't lift a hand to help that teacher. But you know what? She wants a readerboard!"

"I heard about that."

"She wants it to be up for 2018 - so we gave the school ten thousand dollars last May."

"Right."

"But she's a worthless principal. She won't see about getting a second person in that problem class."

Prim Hands sighs. "It wasn't part of my contract, but I did look into what we could do about her. Not much. Principals are a special case."

Gravel Voice coughs. "Excuse me," she sputters. Maybe her voice sounds the way it does because she has a cold? "Sorry about that. Horrible sore throat. Anyway, they said she was having a hard time. With her daughter." She pauses. "Do you KNOW what happened to that ten thousand dollars, by the way?"

"No. I didn't hear anything."

"She mislabeled the money - can you believe it - and they lost it!"

"No way."

"They have no idea what happened to the money we gave them. They must have spent it on other stuff. So now we're out ten thousand ... and they still want a readerboard."

Sorry, not yet, guys. You lost the money.