Intrepid Eavesdropper

Sound Bites from the Coffee Shop

Over the past month or so,
I've collected these little tid-bits from four different
conversations as I've worked on my novel in my

favorite coffee shop, Zoka Coffee, in Seattle, WA.

I do hope you enjoy them!

1)  "What happened?" asks a woman. Pause, pause, pause...then the friend answers: "Oh, nothing too terrible."

Nothing TOO terrible? It was just a little terrible? What on earth happened? Now I want to know!

2)  "We want them to look as big as possible without looking ridiculous."

I'm awful, but the first thing that came to mind was...wait for it...a breast enlargement! I didn't manage to hear enough to know what the two men were actually discussing, but it probably wasn't breast enlargement.

3) "You’ll get your two million dollars out of the project in thirty-six months. I’m a property developer, and I can tell you that with confidence."

Oh. Okay. Nice then. Tell me where to sign the check.

4) "As soon as a bear charges, you're done. That's why I was up there testing different kinds of bear spray."

I'm serious. He said bear spray. The two men (different men from the ones above) really WERE talking about bears. The man was testing four brands of bear spray. He was lean and tall and wore a dingy gray baseball hat. He stood leaning forward on his toes, looking as if he wanted to go out searching for bears right then and there.

Let's Talk About Blood

At the Starbucks I frequent in the hospital lobby, two women are speaking Spanish. They're both doctors, maybe. One is slightly older, and American, as white as can be. She is dressed in blue scrubs and has curly hair. As for the second woman, as far as I can tell from her accent, which isn't Mexican, she is from somewhere in South America. She has on a flowery dress, a light-weight sweater, and is wearing high heels. She can only be described as perky.

I can't help but listen in. I speak Spanish, and their discussion tugs for my attention even though this time, I have an important project and I really don't want to eavesdrop. I'm at a critical point in my novel. I'm not looking for fodder for my blog. But it's a losing cause. The more I try not to listen in, the more I have to. Because this is a language lesson, of sorts. And also, because they are discussing ... blood. How could I not listen?

"Sangre. That is blood, in Spanish," says Dr. Perky. "But you know that already?"

"Oh, yes," says Dr. Scrubs, pen in hand. "Everybody knows that one. But I'm looking for details. Wait a second." She bites her lip as she turns pages in her notebook. "Watery blood. How would you say that?"

At my table across from them, I stare at my computer screen. Watery blood? There was such a thing? Apparently so, because they're discussing it.

"Sangre aguado." Dr. Perky says, nodding. "Aguado means watery."

"Coagulated blood?"

"Sangre coagulado."

"Almost the same as English, then." Dr. Scrubs takes her hair out of a ponytail holder, then re-twists it and puts the band on it again.  "How about ... um ... iron-deficient blood?"

"Deficiencia de hierro. Anemia. Where did you learn Spanish?"

Dr. Scrubs writes in her notebook, then looks up. "I lived in Spain for two years, before medical school." She scribbles something else. "I loved it. I almost gave up on med school. I almost stayed there."

"Two years!"

"How about uncontrolled bleeding?"

"Hemorragia."

A vibrating phone suddenly starts to rattle on the table between them. "Oh!" says Dr. Scrubs, standing up. "I've gotta run." Before I know it, they're both gone, and all I'm left with is visions of watery blood and uncontrolled bleeding as I stare into my mocha. Just another day at Starbucks.

Reality Bites (Eavesdroppers Anonymous)

The Intrepid Eavesdropper

She's at it again.

The Intrepid Eavesdropper has been gathering One-Liners, tiny little morsels that have quite a punch to them. Each of them makes me wonder about the rest of the story: What happened in Rwanda? What is a Rodeo Commissioner, anyway? So - before I give them all away - here are they are.

Reality Bites: One Liners

1: "Hey. Tell me about Rwanda."

2: "She studied so hard. She took forty-five practice tests! When she finally took the test and sent it off to them...well...she never heard back. Never heard a thing. Nothing. Why? Why is that? Why would they do that to her?"

3: "How did you write it? I mean, seriously—how did you do it?"

4. (Extremely outraged.) "You never told me you had another grandkid!"

5. "The rodeo commissioner is coming on Monday with his score card."

6. "You know what Molly said to me this morning? 'Mommy! Mommy! My goldfish recognizes me now! He just did tricks for me in his bowl!' Isn't that too cute? I couldn't bear to tell her the truth."

Looking cute is a trick, right?

Snippet Number One: We'll Do Great Things

Two men are at the next table. Both have crew cuts. They're in their fifties, or maybe their sixties. One guy is doing most of the talking. He's excited. He talks fast, his words clipped, his voice full of excitement. He teeters on his chair, leaning back, leaning forward, rocking even. The back of his neck is pink from too much sun, and the bottom of his crew cut sticks straight out from his head like a bristle brush. Evidently, the two men are Christian film-makers, discussing a collaboration.

"I was in Ethiopia, doing a project," says Crew Cut. "I was working with Jeff. You remember Jeff? We were dragging our stuff around the villages, you know, doing our jobs, talking to people, spreading the word. We had the support of five churches, maybe six. I got back to my hotel one night, looked at my camera, and ... BANG! I said, why don't we make a documentary?" Crew Cut bangs his chair onto the floor, as if he were doing sound effects.

"How did it begin?" The other man is soft-spoken, but I feel that he is the one with the power, the one that Crew Cut is trying to impress. "Tell me how you got it going."

Crew Cut leans forward. "I knew I could make a documentary about what we were doing. I sat down that same night and planned it all out. Stayed up all night. I wrote it all down on a white board, every last idea. The story board, you know. In the morning I showed the story board to Jeff. He got behind it right away. He was all excited."

"Yes. He would be, wouldn't he?"

Crew Cut is in such a hurry to tell his story to this man that his words are starting to slur. "So we began filming, like two days after. We already had a camera, you know? Other people helped us. We had a driver, and Christian kids from the local church." Crew Cut crosses his legs, then uncrosses them. He leans forward. "The locals were confused about what we were doing, but we ended up with a knock-out film, you know?"

"You showed it around, if I recall?"

"Absolutely. In churches all over the country. People loved it. Craig Wright especially put his weight behind it."

"Really?"

Crew Cut's voice lowers. "But it all went sideways. Jeff got ran over when it went sour. He took the brunt of it."

"Yes. I heard about that."

They're silent for a long moment. They drink from their coffee. Then Crew Cut leans forward again.

"We're going to start a new project," he says. "We're going to bring Rick and Bobby in."

"Good thinking."

"There's a story there - I'll tell you the whole story if we end up working together. Rick fired Bobby's guys, the specialists that he'd brought in, and that didn't sit well with Bobby. It's like politicians, you know? They're jerks."

The quiet man regards Crew Cut. He seems to come to some sort of decision. "I like you," he says. "You're a great producer, and you're part of a good community. You have people backing you. "

I can tell that Crew Cut is almost weak with anticipation. And then it comes, the words he's been waiting to hear:

"I'd like to work with you.We'll do great things."

Why don't we do a documentary?

Snippet Number Two: A Special Case

Two women are squeezed into a nearby table. As in Snippet Number One, one of the women is doing eighty percent of the talking. I find her voice very irritating, very loud and gravelly. She talks with lots of animation, hand movements, shifting around in her chair, bobbing her head - she could almost be Crew Cut's twin sister. She has neck-length curly blond hair and sunglasses perched on her head. The second woman seems to have only two positions she's comfortable in: she's either resting her chin on her hand, or she holds her hands clasped primly together on the table. It's a sunny day. I get the feeling that Prim Hands would rather be anywhere rather than here, talking with Gravel Voice. It's my guess that both of them are administrators for the Seattle Public Schools.

"Those kids were wild," says Gravel Voice. "I went in there to help the teacher because she couldn't control them. I told those kids, no inappropriate touching. Absolutely no touching, ever. No touching other kids, even through clothing."

Prim Hands nods. "There were problems in that class, yeah."

"Where was the principal?" demands Gravel Voice. "The class was eroding! The parents were in an uproar. The kids weren't happy. The teacher was falling apart." She sets her coffee cup on the table. "The Principal didn't lift a hand to help that teacher. But you know what? She wants a readerboard!"

"I heard about that."

"She wants it to be up for 2018 - so we gave the school ten thousand dollars last May."

"Right."

"But she's a worthless principal. She won't see about getting a second person in that problem class."

Prim Hands sighs. "It wasn't part of my contract, but I did look into what we could do about her. Not much. Principals are a special case."

Gravel Voice coughs. "Excuse me," she sputters. Maybe her voice sounds the way it does because she has a cold? "Sorry about that. Horrible sore throat. Anyway, they said she was having a hard time. With her daughter." She pauses. "Do you KNOW what happened to that ten thousand dollars, by the way?"

"No. I didn't hear anything."

"She mislabeled the money - can you believe it - and they lost it!"

"No way."

"They have no idea what happened to the money we gave them. They must have spent it on other stuff. So now we're out ten thousand ... and they still want a readerboard."

Sorry, not yet, guys. You lost the money.

What I Overheard - Number Three

The Intrepid Eavesdropper Strikes Again

More Fascinating Snippets From Coffee Shops

I Wonder If They Can See Me?

As I prepare these snippets for this blog post, one thing keeps jumping out at me: A sense of unfinished business. As my eavesdropping alter-ego, I drop into and out of conversations, never hearing one in its entirety. But it's more than the fact that conversations are often clipped short. What's most disconcerting to me is that I usually have no clear idea what the people are talking about. 

To me, the uninvited outsider, it seems as if the conversations I hear meander around a subject, never mentioning the facts, never spelling out the details of the inciting incident, never explaining things so eavesdroppers can understand. But hey. I can't complain, can I? It comes with the territory. Having no idea what is going on adds to the mystery. With that in mind, here are today's snippets.

Snippet Number One:  "Oh, Mama, Please Don't Cry"

I'm in the Starbucks in the hospital lobby. Once again, it's raining. I'm in a cranky mood - my favorite table is occupied by a man writing on his laptop, a man who looks like he's settled in for a good long stay. I'm wrestling with a difficult scene of my novel. My hour-and-a-half of writing session is almost up. At any moment my husband will glide up silently behind me, touch my shoulder with a single finger, and startle the living daylights out of me. (The sneak.) 

It's his favorite way to pester me. I invariably jump. Sometimes I squeal. His favorite is when I jump and squeal. Because one of these days I intend to catch him in the dastardly act, I turn around in my seat every minute or so to check for his sneaky approach - and that's when I become aware of the woman.

She is pacing back and forth in the Starbucks, on her cell phone.

"Don't cry. Please don't cry," she says. She's upset.

Actually, it's more than that. She's beside herself, she's so upset. Her obvious distress is painful for me to watch. Obviously, this is not good fodder for my Intrepid Eavesdropper column, so I go back to my novel. I type two sentences. I glare at them. And then I delete them.

The woman passes by me again. "Oh, Mama, please, please don't cry."

I watch her from the corner of my eye. Poor thing, she's almost crying herself.

"I didn't mean it that way," she says so quietly I wouldn't have heard her if she wasn't passing right in back of me.

She walks out the door, and then in again.

"Mama, you know I'd never say that." She stands by the potted palm, sniffing. "...Just please don't cry."

She heads toward the door.

"I'm coming. Mama, I'm coming. Wait for me."

And then, she's gone.

I'm left feeling rather devastated on her behalf, wondering what on earth happened. Why was her Mama crying? What had the woman said that started such a cascade of tears? I'm still hearing her voice in my mind when it comes: the dreaded touch on my shoulder. I jump. I squeal. Once again I've had the living daylights startled out of me.

I'm Sorry, Mama

Snippet Number Two:  "It Never Ends, Does It?"

There are two college age women sitting side by side at the next table. They're studying vocabulary for a science class, going over words such as "en vitro" and "endoplasmic reticulum" and others that I do not catch.

The odd thing? Every minute or so, the women exchange laptops. As in: they pick them up, cords and all, and pass them across the table in a coordinated effort without saying a word about it. The table is small. It only barely accommodates the two laptops, the two mugs of mocha, and the little plates that hold the bits and pieces of their leftover cookies. The passing of laptops is not a big production for the women. They just...do it...and continue typing away and studying as if nothing out of the ordinary had happened.

"Are you going home for Easter?" asks the one with her hair in a bundled-up ponytail. They're between vocabulary words.

Without missing a beat, they switch laptops.

"Uh-uh," says her friend, the one with the long strawberry blonde hair. "Are you?"

"No. But my Mom is making me an Easter basket anyway. Even though I'm not going to be there."

They switch laptops.

"Aw. That's so sweet!" Ponytail Girl says. "I never got Easter baskets." She types something, frowns, types some more. "Here's a new one. What is the behavior of (insert big scientific word) when under the influence of (insert a second big scientific word)? What's that again? Do you remember?"

"Um. Yes. It's (insert third big scientific word). Hey. Your touch pad is seriously f*cked up."

"I know."

They switch laptops.

"It never ends, does it?" says Strawberry Blonde.

My ears perk up. Are they talking about the constant switching of their laptops? Is that what never ends? But I am no more clued in by the rest of the conversation.

"I finished this one," Ponytail Girl picks up cookie crumbs with the tip of her finger. "But I have four more to go."

"I have five. Shit."

They switch laptops.

I'm frustrated over here at the next table. I'm none the wiser, and they're not helping me! What is it that never ends? She has five of what left? Does it have something to do with passing their laptops back and forth? Are they playing a game as they do their homework? I'm going insane over here, but I force myself to follow my self-imposed rules of listen, watch, record...but don't ask, don't get involved.

They switch laptops again and again, and again. I never do figure out what is going on. And then it all stops. Inexplicably and without discussion. Everything goes quiet at the next table. No more vocabulary words. No more switching laptops. The show is over.

Women with Laptops

What I Overheard - Back by Popular Demand

The Intrepid Eavesdropper

(Number Two)

***

I'm at it again. Listening in on conversations. But it's okay because it's in the pursuit of a greater good - right? Improving my storytelling and dialogue skills is a viable excuse - right? Of course it is. So, without further ado, here is round two of the fascinating snippets I overheard last week in two of my favorite coffee shops. Today, I'll start with short and sweet and move to longer and more involved.

***

It's not wrong if I have a good reason.

***

Snippet Number Four:  "Making It Better"

At the Starbucks in the hospital lobby, on a Tuesday morning. It's raining outside. A man is washing the windows with large sweeping motions. It's quiet in the coffee shop. All I can hear is the clicking of my laptop's keys and the swish-swish of the squeegee. There is a break between customers, and one barista is talking quietly to another. She puts her hand on her friend's arm and says this beautiful, heartfelt line: 

"You're less bubbly and happy than usual and I just want to make it better."

friends

***

Snippet Number Five:  "You're Having A Fucking Boy"

This is about as different as you can get. It's about half an hour later, and I'm still at the Starbucks in the hospital lobby, across from the Ultrasound Unit. A woman is on a cell phone, leaning against the shop's condiment bar. She's got the phone propped between her ear and her shoulder, and is shaking cinnamon and cocoa into her coffee as she talks. She stirs the coffee with quick, angry motions. To me, she seems more interested in her coffee than in the conversation.

She shouts into the phone.

"Guess what you're having?"

She listens to the person on the other end of the line, but only for a second.

"A boy. You're having a boy."

She makes a snorting noise.

"Another fucking boy."

She slaps a lid on her coffee.

"Yeah. It is."

She slurps her coffee, then stalks out the door.

***

This one still bothers me. There are so many questions that I will never know the answers to! Is this woman pregnant? She didn't look pregnant. Why is she annoyed that it's a boy? Does she already have five of them at home or something? Is she talking to the baby's father? She doesn't say "we're having a boy", she says "you're having a boy". Something seemed so wrong about this conversation.

All I can think is: That poor baby boy.

***

Snippet Number Six:  "Give Them Candy"

I am at my other favorite coffee shop, Zoka. I'm grumpy. I don't have my favorite table - I'm at the breezy table right in front of the door because that was all there was. But I'm coping. Not long after I arrive, two men pull out chairs from a large table clear across the room. One of the men - he's perhaps twenty-five years old and has the loudest voice I've ever heard - seems to be training the younger man (he's college-age) to teach an all-day-long SAT prep class. For over two hours, they discuss how to teach different sections of the exam to high school seniors - math, English, history.

"Essays," says the older man. "Some of them go on and on and on. Like this one."

The instructor flips open a four-inch-tall three ring binder, looking for a particular essay. He finds what he's looking for, then jabs the page with his finger. "You have to consider the voice. Is it too self-conscious? Too full of themselves? Look at this girl's essay." He turns a few pages. "Look at this part. She's inserting too much of herself here. Right there. See that?"

"Yes."

"And grammar. Identify the rules of grammar. Make sure they have a command of it - but then let them run with it and make it their own."

"Okay."

"That's the hard part. To know when they've gone too far."

The younger man nods and looks dubiously at the gigantic binder.

"Make a list," suggests the older man. "Put the most common things that give them problems up on the wall. Have conversations with them. Make them talk. Make them do worksheets, and then discuss them. Worksheets are good."

The younger man is scribbling notes. I think he looks flustered.

The older man leans back in his seat. "The best advice? They get tired around three o'clock. I say get some sugar into them."

"Really?"

"Always give them candy at the break."

I stop listening at this point - the minutia is mind-numbing. But as I go back to my own work, I can't help but think how lucky I am to be privy to this moment, and remember when my own children took the (very expensive) classes these men are discussing. I also know this: I would never have come up with this scene on my own. Never in a thousand years.

It really was this big.

***

Snippet Number Seven:  "You Just Have To Keep Going" 

The following snippet also took place at Zoka. It was the next day. Two men, dressed in slacks and collared, button-down shirts are sitting at the table next to me. No fancy lattes or mochas, just black coffee. Older man does almost all of the talking. He has a deeply lined face, a chipped front tooth, and steel gray crew-cut hair. He is constantly tapping his foot.

"I tell people to look at my hands." The older man holds out his hands. The nails are short and somewhat ragged, but clean. "I work with my hands. All my life, I've worked with my hands." Turns them over, shoves them in front of the younger man.

The younger man obviously knows what's expected of him and takes a good long look. "You work hard. You've done well."

Older man slurps his coffee. "Yeah. I have my guys. They go out there. Thirty years, they do their work. And people come to us."

"I've heard good things about your place."

"It's job satisfaction, that's what it is. I run a tight ship. Everything kept clean. Lots of light. No yelling at people. It's safer that way."

"Yeah."

A pause, while they both take a drink of their coffee.

"I keep the radio on to fifties type music," says the older man. "People ask me, why do you listen to that old stuff?"

"Well, why?"

"It doesn't get the customers riled up, you know? Not like that modern stuff." He talks about that horrible modern stuff for a while, then he moves on. "The most important thing is to keep the place safe. And clean. But you have to be careful. I tell my guys to be careful." He holds out his hands again. "Cause look what can happen. Look at that." He holds out his thumb. "I cut my thumb clean off! A short saw. They put it back on again."

The younger man gawks.

"See?" says the older man. "You can see where they did the surgery. The color is different."

Then was a long discourse about bone grafts, and skin grafts, and hundreds of stitches, and bandages that bled all over the place. The younger man looks kind of yellow by the time the older one is finished describing every little detail of his ordeal.

"Well. It doesn't look that good, but it works," says the older man, grabbing his coffee with the hand in question. "You just have to keep going."

The color is different all right!

***

And that's all for this time! I'll just keep going. I'll continue listening and gathering overheard dialogues and eventually I'll have enough for Intrepid Eavesdropper Number Three.

Thanks for reading!

***

What I Overheard - A Writer's Confession

The Intrepid Eavesdropper

I've never been a sneaky person. I've never listened outside closed doors, picked up a phone extension and listened to someone else's conversation, or hid in a place where I knew I'd hear juicy gossip. I  don't think of myself as an eavesdropper ... but on occasion, I am one. 

Let me explain. I am a writer. I sometimes write in public places. A favorite haunt of mine - I go there maybe three times a week - is Zoka, a nearby coffee shop with perfect-sized tables, lots of electrical outlets, long banks of windows that are positioned to let in the golden evening light, and a barista crew that is starting to call me by name. My only complaint? Other people like Zoka as much as I do. Which can be problematic.

Zoka Coffee Shop, Seattle Washington

My writing place

The place gets crowded. Those perfect little tables fill up. Students from the University of Washington meet at my coffee shop for their study groups - it seems to be a favorite of the college-age set. But others like Zoka as well. Prospective employers meet with potential employees for getting-to-know-you chats. Friends get together. Families on outings come to visit; there are three different father-daughter combinations who come into Zoka for after-school hot chocolates and a half hour of homework. And, always, scattered here and there, are lone writerly types pecking away at their laptops, seemingly oblivious. I am one of them.

Several times a week, for maybe three hours, I nab one of the small square tables in front of the windows. I have a favorite table - the sideways one near the front of the shop, even though it rocks just a bit and I sometimes have to stuff a folded-up napkin under one of its legs. I drape my jacket over the chair, order a mocha (and the occasional almond croissant), and set up my laptop.

And then it begins: other people's conversations start leaking into my personal space. I can usually tune them out, but sometimes, it's hard. There's no avoiding it. 

Working on my Next Novel

Instead of being annoyed by these verbal intrusions, I've begun doing some ... ah ... judicious listening. Overheard conversations are wonderful places to gather real-life dialogue and interesting details and plot ideas. Writers have been carefully listening and taking notes for ages - it's a time-honored way of honing dialogue skills. Listening in on other people in public places is eavesdropping, yes, but I prefer to think of it as "dialogue research" intended for "character color". I've been jotting down the best snippets for months now - and getting some great stuff. I've collected wonderful bits and pieces of dialogue, and I thought it was a great time to share them.

Snippet Number One

Last week, when I was about to pack up and leave the coffee shop, two women sat down at the table nearest to me. I couldn't help but hear the job interview that the older woman was conducting for the younger one:

Older woman:   "You like to read?"

Younger woman:   "Um, yes."

Older woman:   "I mean, like a lot."

Younger woman:   "I can, if you want me to."

(At this point, I was drawn in. Intrigued. What kind of job involves lots of reading?)

Older woman:   "There would be stacks of books to read. Stacks like you've never seen."

Younger woman:   "As in ... manuscripts?"

Older woman:   "You'll have so many you won't know what to do with them."

Younger woman (laughs self-consciously):    "I bet."

Older woman:   "You'll have to read and pass the best ones on to me."

Younger woman:   "Okay."

Older woman:   "You'll learn to tell pretty quickly which are worth sending on to me."

Younger woman:   "I can do that."

(Now I had the sneaking suspicion that a literary agent was sitting at the table next to me! Holy Cow! Who was she? Had I submitted a manuscript to her?)

Older woman:   "Most are junk. You can tell by the first page."

(Younger woman laughs.)

Older woman:   "Sometimes by the first paragraph."

Younger woman:   "By the first sentence?"

Older woman:   "Sometimes! Yes!"

(Now I had a burning desire to rewrite the first page, paragraph, and sentence of my current novel.)

I scootched my chair a bit closer, trying to look innocent. They began talking about plots, and two-page synopses, and authors who don't know a Story Arc from Noah's Arc. Famous clients were mentioned. Publishers were brought up. By the time they left, I was in danger of falling onto their table, I was eavesdropping so hard. 

The last thing I overheard? The older woman asking how soon the younger woman could start.

Snippet Number Two

A few days later, I was seated next to an innocent-looking young woman. She sat at her laptop, wrapped up in her work and listening to music through her earbuds. I hardly noticed her, until a handsome young man sauntered up, pulled out a chair, and sat down across from her. That's when things got interesting. Apparently, he was late meeting her, and she was furious, as in white-faced, cold-voiced, seriously pissed off. I wasn't quick enough to capture many lines of dialogue, but what I got could be great fodder for a future scene:

Girl:   "I guess you and I have different definitions of the word SOON."

Boy:   "... but I was sorting my socks, Babe."

Girl:   "Since when does 'I'm leaving right now' mean an hour and a half later?"

Boy (tipping his chair back on two legs)   "I knew you would wait for me - so why should I hurry?"

That's all I got, but - Yikes! Oh, the simmering resentment and rage at that table! I found it hard to believe that these two would be together much longer. Great dialogue or not, it was too much for me. I found another, quieter, location, and left them to their altercation.

Snippet Number Three

The last one happened only last night. Three college-age women were having an earnest study session. It appeared that they were writing essays for a religious class or study group. They had a bible verse, and had dissected it from one angle and then another and shared their thoughts with each other. All well and good. I wasn't paying much attention - but then their conversation took a different turn, and I was all ears.

Jasmine (the only name I caught):   "I get all blushy over him."

Friend One:   "You do?"

Friend Two:   "You DO?"

Jasmine:   "I think of him like a boyfriend, like I'm in love with him."

(My hands went still on my keyboard. Could Jasmine be saying what I thought she might be? Really?)

Friend One:   "That's so cool."

Friend Two:   "What would you ... do with him?"

Jasmine (slowly):   "I get this FEELING when I think about him."

Friend One:   "Me too, a little."

Friend Two doesn't say anything but I hear her suck in her breath.

Jasmine:   "I think of myself doing something ordinary with him, like he was a real person. Like we would go out in canoes by Husky Stadium. Like we would hang out and talk, and he would be the best friend ever, the best listener."

(A pause.)

Jasmine:   "...like he would paddle when I got tired."

(I blinked. Wow. This was some good stuff, some inner thoughts and emotions. It was the most uncomfortable I've yet felt while jotting down overheard dialogue. For the first time, I actually felt like I was eavesdropping - but I couldn't stop.)

Friend One:   "Yes, Jesus would do that. For sure."

Friend Two:   "Oooooh, Jasmine. That's so good."

Jasmine:   "Yeah."

Friend One:   "I would hang out with Jesus."

Jasmine:   "Me too, definitely."

Friend Two:   "I would too." (Pause.) "But we wouldn't go paddling. We would watch old movies together and cry at the sad scenes together."

Friend One:   "Oh my god. That makes me shiver."

Jasmine:   "But now I'm hungry. I feel compelled by Jesus' love ... to buy a brownie."

That's all I have for now.

I'm sure there will be more - keep your eyes open for Intrepid Eavesdropper number two.

P.S. If you are ever in Seattle, near the University of Washington, stop in at Zoka and tell them I sent you. Here is their Website: http://www.zokacoffee.com/about-zoka-coffee/locations/