Intrepid Eavesdropper

Sound Bites from the Coffee Shop

Over the past month or so,
I've collected these little tid-bits from four different
conversations as I've worked on my novel in my

favorite coffee shop, Zoka Coffee, in Seattle, WA.

I do hope you enjoy them!

1)  "What happened?" asks a woman. Pause, pause, pause...then the friend answers: "Oh, nothing too terrible."

Nothing TOO terrible? It was just a little terrible? What on earth happened? Now I want to know!

2)  "We want them to look as big as possible without looking ridiculous."

I'm awful, but the first thing that came to mind was...wait for it...a breast enlargement! I didn't manage to hear enough to know what the two men were actually discussing, but it probably wasn't breast enlargement.

3) "You’ll get your two million dollars out of the project in thirty-six months. I’m a property developer, and I can tell you that with confidence."

Oh. Okay. Nice then. Tell me where to sign the check.

4) "As soon as a bear charges, you're done. That's why I was up there testing different kinds of bear spray."

I'm serious. He said bear spray. The two men (different men from the ones above) really WERE talking about bears. The man was testing four brands of bear spray. He was lean and tall and wore a dingy gray baseball hat. He stood leaning forward on his toes, looking as if he wanted to go out searching for bears right then and there.

Let's Talk About Blood

At the Starbucks I frequent in the hospital lobby, two women are speaking Spanish. They're both doctors, maybe. One is slightly older, and American, as white as can be. She is dressed in blue scrubs and has curly hair. As for the second woman, as far as I can tell from her accent, which isn't Mexican, she is from somewhere in South America. She has on a flowery dress, a light-weight sweater, and is wearing high heels. She can only be described as perky.

I can't help but listen in. I speak Spanish, and their discussion tugs for my attention even though this time, I have an important project and I really don't want to eavesdrop. I'm at a critical point in my novel. I'm not looking for fodder for my blog. But it's a losing cause. The more I try not to listen in, the more I have to. Because this is a language lesson, of sorts. And also, because they are discussing ... blood. How could I not listen?

"Sangre. That is blood, in Spanish," says Dr. Perky. "But you know that already?"

"Oh, yes," says Dr. Scrubs, pen in hand. "Everybody knows that one. But I'm looking for details. Wait a second." She bites her lip as she turns pages in her notebook. "Watery blood. How would you say that?"

At my table across from them, I stare at my computer screen. Watery blood? There was such a thing? Apparently so, because they're discussing it.

"Sangre aguado." Dr. Perky says, nodding. "Aguado means watery."

"Coagulated blood?"

"Sangre coagulado."

"Almost the same as English, then." Dr. Scrubs takes her hair out of a ponytail holder, then re-twists it and puts the band on it again.  "How about ... um ... iron-deficient blood?"

"Deficiencia de hierro. Anemia. Where did you learn Spanish?"

Dr. Scrubs writes in her notebook, then looks up. "I lived in Spain for two years, before medical school." She scribbles something else. "I loved it. I almost gave up on med school. I almost stayed there."

"Two years!"

"How about uncontrolled bleeding?"

"Hemorragia."

A vibrating phone suddenly starts to rattle on the table between them. "Oh!" says Dr. Scrubs, standing up. "I've gotta run." Before I know it, they're both gone, and all I'm left with is visions of watery blood and uncontrolled bleeding as I stare into my mocha. Just another day at Starbucks.

Emergency at the Coffee Shop

Help Me - Please!

Today's Drama at the Coffee Shop

She staggered into the coffee shop, making strange noises.

I was at the table by the door, writing. I looked up from my novel as the woman crossed in front of me, her arms flailing, her shoulders shaking. All around me, heads turned, conversation stopped, chairs pushed out from tables in a collective gasp. Was this woman an oddball, come to disturb the peace? Was she insane? What was she doing? Why was she making such strange sounds? And why was she heading straight for the handsome young man ordering coffee at the counter, as if to accost him?

"Wrrrr grrrr orrr grrrr!" the woman howled. "Orrrr grrrr! Orrrr grrrr!"

I stared at her. I couldn't help it. We were all staring.

The woman was young, twenty-five maybe. She wore a black t-shirt and dark jeans. She carried a leather handbag. Her black hair was cut into a chic bob, and - I gulped - her jaw hung open in a most horrible way. As in, not straight. As in, hanging almost to her neck. Obviously, this woman was injured. She needed help. Everything changed in an instant.

Hands went to chins all around me.

"Wrrrr!" she cried to the young man, stopping in front of him, invading his personal space.

The man's eyes widened. He didn't back up. But he was nervous. He didn't reach out to help her, not right away. The barista leaned over the counter, a cell phone in her hand, about to call for help.

"Hrrrr eeee? Eeee?" moaned the woman. This time, the meaning of her words was clear: Help me? Please?

"What can I do?" the man said, making his decision. He set down his coffee, staring at her jaw.

"Hrrrr." She whipped a laminated sheet from her handbag and jabbed her finger at it. The man took it and narrowed his eyes.

"You want me to do this?"

"Essssss!" She leaned forward, neck extended, face tilted hopefully up at the man.

I was still staring at her. Everyone was staring. The man at the table next to me stood up, as if to help, but he soon sat again. Two women and a child chose that moment to wander into the shop. They stopped in their tracks, suddenly aware of the scene which was unfolding in front of them. The older woman clutched at the arm of the younger one, who took the child by the hand. They stood to the side. Waiting. Watching. With the rest of us.

"Oooo eeee," said the woman. Do it.

The man looked again at the paper. He rubbed his palms on his pant legs, took a deep breath, and put both hands to the woman's jaw. Then he gently placed both thumbs inside her mouth. There was dead silence in the shop. Not even the clink of a spoon against a coffee cup. Only the woman's heavy breathing. The two of them - and the barista - stood locked in place, a tableau that sucked the air out of the rest of the shop.

The man pulled gently on the woman's jaw. Her face went white, the cords in her neck strained, but nothing happened. A high, thin sound came from her, the sound of distilled pain. The man took his hands away.

"Do you want me to call 9-1-1?" asked the barista, leaning so far over the counter that her hair brushed the napkin dispenser.

The woman shook her head. She pointed at her jaw again. "Eeeeee? Eeeee?"

The man put his hands to her face again. And again. And then again. Finally, he threw up his arms. "I'm sorry, it's not working. I can't do it."

"Shall I make the call?" asked the barista.

The woman's shoulders slumped. Defeated, she nodded. Slowly, she raised her hands to her mouth, which hung open, dripping saliva. Moaning, she touched her chin. She leaned against the counter, her chest heaving, as the barista quickly and calmly explained the situation to the responders.

"Are they coming?" asked the man.

"They'll be here in a second," said the barista. "Honey, can I get you a chair?"

The woman shook her head. She just stood there, rooted in place, looking miserable.

"Ice?"

She shook her head again. Time slowed to a standstill. The man who'd tried to help shifted his weight from foot to foot, but he stayed put. I looked away, unable to take the pain in the woman's eyes as she waited for help to come. Sounds started up again in the shop. A chair scraping on the floor. A child's voice. A coffee cup rattling on the table. We were waiting, all of us.

When I looked up again, the man had enfolded the woman in a hug. He patted her back gingerly, and rocked her back and forth. Even from where I sat I heard her sobs.

"Let's try it again," he said.

She nodded. She stood still as he put his hands to her face again.

This time her jaw snapped into place. She jerked. She put her hands to her lips, and smiled at him. "Oh! Thank you!" she said with a hitch in her voice, so near to crying I could almost hear the sobs breaking through. "Thank you so much." She worked her jaw up and down, back and forth, slowly, carefully, as if it might suddenly pop out again. Maybe it would. "I hate it when that happens!" she said as she stuffed her laminated instruction sheet back into her purse. "I just hate it."

"How often does it happen?" asked the man, looking flushed.

"Too often. Oh! Listen. They're coming."

Sirens in the distance.

In another moment, a fire truck pulled up out front and four firemen came hurrying in, surveying the shop. They looked around, not knowing where to go, who to help. There was no blood, no yells, no-one in obvious distress.

"Over here," said the barista.

"I'm fine now," said the woman, facing them, abject embarrassment on her swollen face. She gestured to the man. "He fixed it for me."

The firemen talked to her for an additional few minutes, then they filed out the door and were gone. The woman hugged the man who'd helped her, but this time, the hug was a quick, bashful one, not the soul-breaking one of earlier. "Thanks again. Really. I mean it. I won't ever forget your kindness."

And then, she turned around, clutching her purse to her side and gazing straight ahead - because, of course, everyone in the shop was staring - she left.

And that was that. As if it had never happened.

But it had. And it did something to me, all that pain, all that helpfulness, all that witnessing, and it made me wonder ... what if it had been me at the counter instead of the young man? Could I have done what he did? I hope I would have, but I'll never know.

I hope the woman's jaw stays put. I wish the best for her. But I'm afraid that sometime, someplace, her "How To Help Me" laminated sheet will be pulled out again to be thrust at strangers in utter desperation.

I only hope she finds someone as kind as the young man at the coffee shop.

Not an ordinary day at the Coffee Shop

Reality Bites (Eavesdroppers Anonymous)

The Intrepid Eavesdropper

She's at it again.

The Intrepid Eavesdropper has been gathering One-Liners, tiny little morsels that have quite a punch to them. Each of them makes me wonder about the rest of the story: What happened in Rwanda? What is a Rodeo Commissioner, anyway? So - before I give them all away - here are they are.

Reality Bites: One Liners

1: "Hey. Tell me about Rwanda."

2: "She studied so hard. She took forty-five practice tests! When she finally took the test and sent it off to them...well...she never heard back. Never heard a thing. Nothing. Why? Why is that? Why would they do that to her?"

3: "How did you write it? I mean, seriously—how did you do it?"

4. (Extremely outraged.) "You never told me you had another grandkid!"

5. "The rodeo commissioner is coming on Monday with his score card."

6. "You know what Molly said to me this morning? 'Mommy! Mommy! My goldfish recognizes me now! He just did tricks for me in his bowl!' Isn't that too cute? I couldn't bear to tell her the truth."

Looking cute is a trick, right?

Snippet Number One: We'll Do Great Things

Two men are at the next table. Both have crew cuts. They're in their fifties, or maybe their sixties. One guy is doing most of the talking. He's excited. He talks fast, his words clipped, his voice full of excitement. He teeters on his chair, leaning back, leaning forward, rocking even. The back of his neck is pink from too much sun, and the bottom of his crew cut sticks straight out from his head like a bristle brush. Evidently, the two men are Christian film-makers, discussing a collaboration.

"I was in Ethiopia, doing a project," says Crew Cut. "I was working with Jeff. You remember Jeff? We were dragging our stuff around the villages, you know, doing our jobs, talking to people, spreading the word. We had the support of five churches, maybe six. I got back to my hotel one night, looked at my camera, and ... BANG! I said, why don't we make a documentary?" Crew Cut bangs his chair onto the floor, as if he were doing sound effects.

"How did it begin?" The other man is soft-spoken, but I feel that he is the one with the power, the one that Crew Cut is trying to impress. "Tell me how you got it going."

Crew Cut leans forward. "I knew I could make a documentary about what we were doing. I sat down that same night and planned it all out. Stayed up all night. I wrote it all down on a white board, every last idea. The story board, you know. In the morning I showed the story board to Jeff. He got behind it right away. He was all excited."

"Yes. He would be, wouldn't he?"

Crew Cut is in such a hurry to tell his story to this man that his words are starting to slur. "So we began filming, like two days after. We already had a camera, you know? Other people helped us. We had a driver, and Christian kids from the local church." Crew Cut crosses his legs, then uncrosses them. He leans forward. "The locals were confused about what we were doing, but we ended up with a knock-out film, you know?"

"You showed it around, if I recall?"

"Absolutely. In churches all over the country. People loved it. Craig Wright especially put his weight behind it."

"Really?"

Crew Cut's voice lowers. "But it all went sideways. Jeff got ran over when it went sour. He took the brunt of it."

"Yes. I heard about that."

They're silent for a long moment. They drink from their coffee. Then Crew Cut leans forward again.

"We're going to start a new project," he says. "We're going to bring Rick and Bobby in."

"Good thinking."

"There's a story there - I'll tell you the whole story if we end up working together. Rick fired Bobby's guys, the specialists that he'd brought in, and that didn't sit well with Bobby. It's like politicians, you know? They're jerks."

The quiet man regards Crew Cut. He seems to come to some sort of decision. "I like you," he says. "You're a great producer, and you're part of a good community. You have people backing you. "

I can tell that Crew Cut is almost weak with anticipation. And then it comes, the words he's been waiting to hear:

"I'd like to work with you.We'll do great things."

Why don't we do a documentary?

Snippet Number Two: A Special Case

Two women are squeezed into a nearby table. As in Snippet Number One, one of the women is doing eighty percent of the talking. I find her voice very irritating, very loud and gravelly. She talks with lots of animation, hand movements, shifting around in her chair, bobbing her head - she could almost be Crew Cut's twin sister. She has neck-length curly blond hair and sunglasses perched on her head. The second woman seems to have only two positions she's comfortable in: she's either resting her chin on her hand, or she holds her hands clasped primly together on the table. It's a sunny day. I get the feeling that Prim Hands would rather be anywhere rather than here, talking with Gravel Voice. It's my guess that both of them are administrators for the Seattle Public Schools.

"Those kids were wild," says Gravel Voice. "I went in there to help the teacher because she couldn't control them. I told those kids, no inappropriate touching. Absolutely no touching, ever. No touching other kids, even through clothing."

Prim Hands nods. "There were problems in that class, yeah."

"Where was the principal?" demands Gravel Voice. "The class was eroding! The parents were in an uproar. The kids weren't happy. The teacher was falling apart." She sets her coffee cup on the table. "The Principal didn't lift a hand to help that teacher. But you know what? She wants a readerboard!"

"I heard about that."

"She wants it to be up for 2018 - so we gave the school ten thousand dollars last May."

"Right."

"But she's a worthless principal. She won't see about getting a second person in that problem class."

Prim Hands sighs. "It wasn't part of my contract, but I did look into what we could do about her. Not much. Principals are a special case."

Gravel Voice coughs. "Excuse me," she sputters. Maybe her voice sounds the way it does because she has a cold? "Sorry about that. Horrible sore throat. Anyway, they said she was having a hard time. With her daughter." She pauses. "Do you KNOW what happened to that ten thousand dollars, by the way?"

"No. I didn't hear anything."

"She mislabeled the money - can you believe it - and they lost it!"

"No way."

"They have no idea what happened to the money we gave them. They must have spent it on other stuff. So now we're out ten thousand ... and they still want a readerboard."

Sorry, not yet, guys. You lost the money.

The Intrepid Eavesdropper

And...She's Back!

The Intrepid Eavesdropper has had very slim pickings lately. Warm spring weather this past week has lured her subjects out of coffee shops and into the wild blue yonder, causing her to go days on end without adding to her eavesdropping notebook. But fear not. Today it rained. And rained. It rained so long and hard that people were driven back inside where they belong, where they could go back to having fascinating conversations for the sole benefit of an eavesdropping writer.

Oh Dear. What Shall I Do If They Don't Come?

Today's eavesdropping snippets were gathered in a few short hours at Zoka, while it was raining cats and dogs. I am sharing two short snippets and a longer one that I found particularly poignant. 

Snippet Number One:   Prime Bear Habitat

Two women are making their way slowly through the coffee shop. They're on their way out, and one of them is on crutches. She's hobbling in a slow, painful way, her foot encased in one of those newfangled shell things that isn't a plaster cast but isn't just for pretty, either. She grimaces with each step, but is trying to go quickly for her friend's sake, swinging the crutches in wide arcs with a clack-clack sound.

The friend is trying to cheer her up. "You're moving with those things! Speed Racer, you are."

"I'm talented, that's what."

They stop to let a mother and child pass.

The injured woman takes another tentative step. "But you know what? If a bear was after me, I'd be toast."

The friend pretends to look over her shoulder. "It's dangerous around here."

"No kidding. This coffee shop is prime Grizzly habitat."

They laugh, wrapped up in their own little drama. The friend holds the door open so her buddy can hobble out. I see them going slowly down the sidewalk, chatting and laughing all the way. Too soon, they're lost to sight. Lucky for them, the bears all seem to be hibernating.

"Speed Racer, you are."

Snippet Number Two:   Whatever Happened To Allie?

Six middle-aged people - four women and two men - sit at the large table across from me. The way they're carrying on, they must be old friends who haven't seen one another in a long time. I assume they're old high school buddies at a rare get-together. Loud laughter comes in waves from their table. Since my back is to them, I have a hard time attributing lines to certain people, but it doesn't seem to matter.

A woman howls with laughter. "Does anyone remember that night? Because later, people told me I had too much to drink."

"You did!" agrees a second woman. Her voice is thick, as if she's fighting a cold. "Seriously. You had way, way too much to drink."

One of the men says, "We all did."

"I don't remember that night but I do remember the night before," says a woman with a bit of an accent. She's German, maybe? "Some wild dancing, that's what I remember."

"We were drunk by the time we got there," says the man.

The first woman is laughing again. She stops suddenly. "Hey! We danced in the street outside the door, remember?"

"We did!" says the man.

There is generalized merriment, the sort of sounds made by people who've known one another for a long, long time. These men and women are comfortable together. They don't have to show off. I am surprised by a sudden desire to be part of their group. What high school had they attended, anyway? Had they gone to Garfield, my own high school? I grew up here in Seattle, so it's not impossible. I strain to hear any mention of a school, but they're intent on reminiscing about their wild party.

"I said some obnoxious things, right?" asks the woman with the loudest voice.

I hunch over my laptop, shaking my head as I type her words. Clearly, the woman could become obnoxious without too much extra effort.

"Oh my god," says the woman with the cold. "So did Allie. She said some pretty outrageous stuff too."

"Allie!" says the German-accent woman. "Allie! She was ... awful."

The comment brings forth a new wave of laughter from the entire table, and I wonder: was Allie awful in a "you're nuts but you're part of our group" way? Or was Allie awful in a "please get lost and leave us alone" way?

"Allie had such a great voice, though," says the second man, who has been quiet up till this point. "But she was so loud. God, that girl could talk. And she wasn't loud at the right times, you know?" He paused. "I wonder whatever happened to her?"

"She sent an email to me," says the almost-obnoxious woman. "Before that last thing."

"Me too," says a woman who'd barely spoken. She has a cute bleached pixie haircut (I looked). "I was going to answer her email, but I forgot about it in my inbox. I never wrote back."

The first man sounds wistful. "She sent me one too."

"And me," says the woman with the cold. Her voice sounds even more hoarse now.

"I didn't see her after that night," says pixie hair.

"Me neither," says German accent woman. "But my god. That party..."

"...was memorable," the loud woman finishes for her.

This is met with prolonged laughter. They've forgotten about Allie. They've moved on. Perhaps that was the way it had always been with them.

"I've got some video," says one of the men. "Of that night. Can you believe it?"

"You do?" says pixie hair. "Seriously? You have to send it to us!"

He promises he will. And then the conversation moves on. Their get-together goes on for another hour. But, dang it all. They have left me hanging! I want to see that video in the worst way. Is it of their "Memorable Night? It must be. What does it show? The dancing in the street? The obnoxious things they said and did?

Most of all, I want to see Allie. Awful Allie. Loud Allie. Allie who had a great voice, but whose email no-one had bothered to answer.

Which One Is Allie?

Snippet Number Three:   Have I Ever Let You Go Hungry?

There is a young family not too far away from me. Mom wipes crumbs from the table while Dad helps Little Boy, who is perhaps three years old, into a chair. Dad sets a napkin, a plate with a chocolate chip cookie, and a small glass of cocoa in front of him. Mom reaches over and breaks the cookie in half. This, predictably, sets Little Boy into a fit.

"Mamma! I want the whole cookie!"

Mom is gentle but firm. "We always cut it in half. Every time. You know that."

"But I want all of it."

"Look how big it is, honey. It's enormous. It's special."

"That's why I want all of it."

This makes me smile - I can't fault the little boy's logic. But he's getting pretty invested in the second half of the cookie - he's scowling. His arms are locked across his chest. Anyone can see that a tantrum is about to erupt.

But Mom doesn't seem to notice. "We don't usually eat so much sweet stuff," she says. "You're not used to it. You can have the other half later."

There is a weighty silence. Then, quick as lightening, the child grabs for the other half.

"No!" says Mom, somewhat less gently. "You heard what I said, Nigel. You can have half of it now and the other half when we get home."

Little Boy kicks the table leg whomp-whomp-whomp. "Daddy!" he wails. "Can I have it?"

"Mommy said no." Daddy sounds as if they've been through this before.

Little Boy begins to sob. He is heartbroken, as if he thinks he's about to die. But he quiets when Mom kneels beside him and takes him in her arms.

"Honey," she says, "have I ever let you go hungry?"

"But I want all of it!"

My Writer's Studio - A Tour

...Which Studio Would That Be, Exactly?

I don't actually have a writing studio, let me admit that right away. It's entirely my fault - over the years, I have taken over every available space in our home. Twenty years ago, I created a wonderful painting and metal arts studio in my basement (photo below). Several years later, I made a ceramics studio in my former dining room (also photo below). More recently, I've stashed my sewing and leather working materials in the living room. It goes without saying that I have the most understanding husband in the world. So how can I complain about not having a writing studio? I look at it another way: I'm lucky! I don't have only one place to write - I have five of them. 

#1  At Home: The Kitchen Table

It has its advantages: It's comfortable. It's close to everything. I'm aware of what's happening with family members. My snacks and tea warmer are nearby. But by the same token...it's the kitchen table! I'm too available. Dishes need washing and dinner needs to be started and the front door needs to be answered and the cats need attention - and just look at that mess on the counter behind me. The kitchen table is right in the middle of family life and sometimes it's impossible to keep distractions at bay.

Writing At Home - The Kitchen Table

#2  At Home: In the Guest Bedroom

When things get too distracting in the kitchen, I take myself upstairs to the bedroom my daughter vacated when she moved out ten years ago. It's now the guest room, so that can be problematic at times. Also problematic is the view out the window. In the above photo, you can clearly see the neighbor's walkway to their house. A couple of weeks ago, I was writing but I kept noticing that their dog - a large, fluffy, sweet thing - was loose. Aw. Look. She's wandering around. Don't they see her? Isn't someone going to lead her back home? No? Really? There is no-one out there? She's heading down the block! Where is our neighbor? (Sigh. Harrumph. Sigh.) So I went out and retrieved her and took her home, which pretty much put an end to writing that afternoon.

Writing At Home - In My Daughter's Old Bedroom

#3  At Home: In Bed

Sometimes the story just won't stop, and I have to drag my laptop into bed with me. I have a nifty little table on legs that I set it on, and it works just fine for a couple of hours or until my back starts complaining. The mouse (I hate the touch pad on my laptop) is more problematic - the lap table is too small for it, so I have to prop it on a book on the bed itself. That works pretty well, as long as one of my five cats doesn't bat it around as if it were a real mouse. In the photo, you can barely make out Felix, our white-and-orange long-hair. He's to the right of the mouse, in perfect batting position.

Writing At Home - In Bed

#4  Out and About: Zoka

I love this place. I try to go there a couple times a week, and I like to stay for around three hours a session. I have my favorite table (the one in the photo). It's to the left of the entrance, and is perfectly situated by a convenient electrical outlet. The light from the huge window doesn't cast a glare on my laptop screen if I inch the table a bit out from the wall. It's perfect. I can people-watch. And I can put my plate of flour-less chocolate cake on the windowsill, as you can see in the picture. It's all so, so nice. 

Two days ago, when I was writing at Zoka, I asked the the very nice barista who manages the place to take this photo of me during a pause between her customers. After the photo was taken, I wrote an entire chapter of my novel - and the new material was keepers, quality stuff. I was so pleased!

At the Coffee Shop - Zoka

(Prime Intrepid Eavesdropper Location No. 1)

#5  Out and About: Starbucks in the Hospital Lobby

I find myself at this coffee shop once a week, on Tuesday mornings. The place is small enough that I get grumpy if I don't get my favorite table by the potted palm. I wasn't so lucky in this photo. A steady stream of people pass by, which can be either interesting or distracting, depending on my mood and on how my writing is going. On very special occasions, a friend of mine who works at the hospital can pry herself away from her post and join me for a quick break.

At the Starbucks in the Hospital Lobby

(Prime Intrepid Eavesdropper Location No. 2)

Other locations:

There are other places that I occasionally will take my laptop to, such as the waiting room at the dentist's office, or to my parent's house, or to the park. But the above five "studios" are the places that I have done the bulk of my writing during the past few years.

It's funny.

Certain locations, certain tables, certain chairs even, have become associated with the scenes that I wrote at them. As clear as crystal, I remember sitting at the table to the right of the one pictured above (at the Starbucks), putting together a favorite scene where my characters were having their first banquet at the inn of Inn on the Edge. I remember sitting there, sipping the froth off my mocha, and describing luscious almond croissants ... and steaming blueberry muffins ... and buttermilk biscuits with fresh butter and honey dribbled onto them... hey. I must have been hungry at the time!

That's all for now, except for the promised photos of my metalworking studio and my ceramics area. I must go make some blueberry muffins. It seems I'm hungry all the time!

Metals Studio, With Two Cats

Ceramics Area, Also With Two Cats

Snapshots of a Writer

An Art Show - Kind Of

This is the bouquet my sister-in-law sent to me 

when my first book was published. 

The image has been altered in very cool ways.

Last night, I was up until 2 o'clock in the morning altering photographs. I'd dragged my laptop into bed with me - I have this sweet little lap table to perch it on - and pushed away curious cats. I made sure the clack-clacking of the keyboard and clicking of the mouse wasn't bothering my husband, and then I let myself have fun. And it was fun. I had so much dang fun I couldn't stop myself. (See how I just used the word "fun" three times in a row? Rebecca, my editor, wouldn't approve! My excuse is that I was up until 2 o'clock last night.)

It's all because I discovered this wonderful picture-editing tool on my image program.

This was the original version. The mixer had to go. 

I use Microsoft Digital Image Suite 2006. I have no idea if that's a good editing program or not, but it sure has some fun ways (...fun!...and there I go again!) to alter an image. So I thought I'd alter a series of photos, some recent and some a bit older, and use them to illustrate and chronicle my writing past.

Me and my Breakfast Basket

It was about three years ago. I was at the first-ever writer's retreat in Icicle Creak, Washington, run by Hugo House in Seattle. I had this sweet little cabin all to myself. It had a bunk-bed ,and a table and chair combo for writing, and a picture window that took up an entire wall and let in streams of light at 5:30 in the morning. Perhaps best of all was the breakfast basket sitting on my doorstep each dawn. I Skyped with my husband (but not at 5:30 am!) and proudly showed off my basket. What you don't see is me taking out each thing individually and showing them to him. I'm not sure exactly how he did it, but he took this picture during our Skype session, which explains the weirdly cool angle. And now I've altered it and made it even weirder.

At the Starbucks in the Hospital Lobby

That's me in the white sweater. This is the same location where I overheard some of the snippets in my two "Intrepid Eavesdropper" posts. It's a nice little place, big windows, lots of people-watching. The funny thing is...in real life, as I sit here at the kitchen table on this Tuesday morning, writing this post for my blog - I am about to head to this Starbucks. In fact, I will probably finish the post at the very same table in the image! So how about that?

Linky the Writer Cat

Linky is a sweetie, but sometimes he figures that he's more important than my novel. On this occasion, I'd just spent ten dedicated minutes petting him, which was an odd sort of torture because I had a glaring typo on the screen that I badly, badly, badly wanted to correct so I wouldn't have to stare at it any longer. But no. Cat on arm is more important.

Working on my Novel

Gail Bridges, the Author

I was at the Emerald City Writer's Conference last October. I'd reserved a table at the book fair...because I am an honest-to-god REAL LIFE author now! I have three books! I have posters and swag and the whole bit. I asked the lady at the next table to abandon her post for a moment - this was about two minutes before the doors were to open - and snap this image of my first time publicly being an author.

Going to the Coffee Shop

My husband took this shot of me last week. I was out the door, on my way to Zoka (the second "Intrepid Eavesdropper" location). "Hey," I said, handing him the camera, "do you think you could take an Author Photo of me? Right now, right here?" He moved me from place to place and took probably six shots, none of which would come close to being an Author Photo. But what the heck, it was fun.

At the Coffee Shop

(Actually, it's the Starbucks in the Hospital Lobby.

I have yet to take a photo at Zoka.)

Healing Hands

This shot was taken four days ago. I set it up as an image for an article or blog post I plan to write soon, about the interview I did last week with an Energy Healer. I've been doing a lot of research for my new novel, "Over the Edge". I'm conducting a series of fascinating interviews with REAL LIFE healers and gathering boatloads of material.

But I needed a cool illustration for the post. So I dragged my son over and asked him to hold hands with me. Wonderful 22-year-old that he is, he didn't even complain. We tried various poses with our hands, and were shocked that it wasn't as easy as we thought it would be! My husband helped. He took picture after picture, shaking his head and saying, "Nope. Not this one. Try again." It took a while, but we finally hit gold!

That's it for now.

For my next blog post, I will share the final few images and describe how I altered them. Thanks for reading!

What I Overheard - Back by Popular Demand

The Intrepid Eavesdropper

(Number Two)

***

I'm at it again. Listening in on conversations. But it's okay because it's in the pursuit of a greater good - right? Improving my storytelling and dialogue skills is a viable excuse - right? Of course it is. So, without further ado, here is round two of the fascinating snippets I overheard last week in two of my favorite coffee shops. Today, I'll start with short and sweet and move to longer and more involved.

***

It's not wrong if I have a good reason.

***

Snippet Number Four:  "Making It Better"

At the Starbucks in the hospital lobby, on a Tuesday morning. It's raining outside. A man is washing the windows with large sweeping motions. It's quiet in the coffee shop. All I can hear is the clicking of my laptop's keys and the swish-swish of the squeegee. There is a break between customers, and one barista is talking quietly to another. She puts her hand on her friend's arm and says this beautiful, heartfelt line: 

"You're less bubbly and happy than usual and I just want to make it better."

friends

***

Snippet Number Five:  "You're Having A Fucking Boy"

This is about as different as you can get. It's about half an hour later, and I'm still at the Starbucks in the hospital lobby, across from the Ultrasound Unit. A woman is on a cell phone, leaning against the shop's condiment bar. She's got the phone propped between her ear and her shoulder, and is shaking cinnamon and cocoa into her coffee as she talks. She stirs the coffee with quick, angry motions. To me, she seems more interested in her coffee than in the conversation.

She shouts into the phone.

"Guess what you're having?"

She listens to the person on the other end of the line, but only for a second.

"A boy. You're having a boy."

She makes a snorting noise.

"Another fucking boy."

She slaps a lid on her coffee.

"Yeah. It is."

She slurps her coffee, then stalks out the door.

***

This one still bothers me. There are so many questions that I will never know the answers to! Is this woman pregnant? She didn't look pregnant. Why is she annoyed that it's a boy? Does she already have five of them at home or something? Is she talking to the baby's father? She doesn't say "we're having a boy", she says "you're having a boy". Something seemed so wrong about this conversation.

All I can think is: That poor baby boy.

***

Snippet Number Six:  "Give Them Candy"

I am at my other favorite coffee shop, Zoka. I'm grumpy. I don't have my favorite table - I'm at the breezy table right in front of the door because that was all there was. But I'm coping. Not long after I arrive, two men pull out chairs from a large table clear across the room. One of the men - he's perhaps twenty-five years old and has the loudest voice I've ever heard - seems to be training the younger man (he's college-age) to teach an all-day-long SAT prep class. For over two hours, they discuss how to teach different sections of the exam to high school seniors - math, English, history.

"Essays," says the older man. "Some of them go on and on and on. Like this one."

The instructor flips open a four-inch-tall three ring binder, looking for a particular essay. He finds what he's looking for, then jabs the page with his finger. "You have to consider the voice. Is it too self-conscious? Too full of themselves? Look at this girl's essay." He turns a few pages. "Look at this part. She's inserting too much of herself here. Right there. See that?"

"Yes."

"And grammar. Identify the rules of grammar. Make sure they have a command of it - but then let them run with it and make it their own."

"Okay."

"That's the hard part. To know when they've gone too far."

The younger man nods and looks dubiously at the gigantic binder.

"Make a list," suggests the older man. "Put the most common things that give them problems up on the wall. Have conversations with them. Make them talk. Make them do worksheets, and then discuss them. Worksheets are good."

The younger man is scribbling notes. I think he looks flustered.

The older man leans back in his seat. "The best advice? They get tired around three o'clock. I say get some sugar into them."

"Really?"

"Always give them candy at the break."

I stop listening at this point - the minutia is mind-numbing. But as I go back to my own work, I can't help but think how lucky I am to be privy to this moment, and remember when my own children took the (very expensive) classes these men are discussing. I also know this: I would never have come up with this scene on my own. Never in a thousand years.

It really was this big.

***

Snippet Number Seven:  "You Just Have To Keep Going" 

The following snippet also took place at Zoka. It was the next day. Two men, dressed in slacks and collared, button-down shirts are sitting at the table next to me. No fancy lattes or mochas, just black coffee. Older man does almost all of the talking. He has a deeply lined face, a chipped front tooth, and steel gray crew-cut hair. He is constantly tapping his foot.

"I tell people to look at my hands." The older man holds out his hands. The nails are short and somewhat ragged, but clean. "I work with my hands. All my life, I've worked with my hands." Turns them over, shoves them in front of the younger man.

The younger man obviously knows what's expected of him and takes a good long look. "You work hard. You've done well."

Older man slurps his coffee. "Yeah. I have my guys. They go out there. Thirty years, they do their work. And people come to us."

"I've heard good things about your place."

"It's job satisfaction, that's what it is. I run a tight ship. Everything kept clean. Lots of light. No yelling at people. It's safer that way."

"Yeah."

A pause, while they both take a drink of their coffee.

"I keep the radio on to fifties type music," says the older man. "People ask me, why do you listen to that old stuff?"

"Well, why?"

"It doesn't get the customers riled up, you know? Not like that modern stuff." He talks about that horrible modern stuff for a while, then he moves on. "The most important thing is to keep the place safe. And clean. But you have to be careful. I tell my guys to be careful." He holds out his hands again. "Cause look what can happen. Look at that." He holds out his thumb. "I cut my thumb clean off! A short saw. They put it back on again."

The younger man gawks.

"See?" says the older man. "You can see where they did the surgery. The color is different."

Then was a long discourse about bone grafts, and skin grafts, and hundreds of stitches, and bandages that bled all over the place. The younger man looks kind of yellow by the time the older one is finished describing every little detail of his ordeal.

"Well. It doesn't look that good, but it works," says the older man, grabbing his coffee with the hand in question. "You just have to keep going."

The color is different all right!

***

And that's all for this time! I'll just keep going. I'll continue listening and gathering overheard dialogues and eventually I'll have enough for Intrepid Eavesdropper Number Three.

Thanks for reading!

***

What I Overheard - A Writer's Confession

The Intrepid Eavesdropper

I've never been a sneaky person. I've never listened outside closed doors, picked up a phone extension and listened to someone else's conversation, or hid in a place where I knew I'd hear juicy gossip. I  don't think of myself as an eavesdropper ... but on occasion, I am one. 

Let me explain. I am a writer. I sometimes write in public places. A favorite haunt of mine - I go there maybe three times a week - is Zoka, a nearby coffee shop with perfect-sized tables, lots of electrical outlets, long banks of windows that are positioned to let in the golden evening light, and a barista crew that is starting to call me by name. My only complaint? Other people like Zoka as much as I do. Which can be problematic.

Zoka Coffee Shop, Seattle Washington

My writing place

The place gets crowded. Those perfect little tables fill up. Students from the University of Washington meet at my coffee shop for their study groups - it seems to be a favorite of the college-age set. But others like Zoka as well. Prospective employers meet with potential employees for getting-to-know-you chats. Friends get together. Families on outings come to visit; there are three different father-daughter combinations who come into Zoka for after-school hot chocolates and a half hour of homework. And, always, scattered here and there, are lone writerly types pecking away at their laptops, seemingly oblivious. I am one of them.

Several times a week, for maybe three hours, I nab one of the small square tables in front of the windows. I have a favorite table - the sideways one near the front of the shop, even though it rocks just a bit and I sometimes have to stuff a folded-up napkin under one of its legs. I drape my jacket over the chair, order a mocha (and the occasional almond croissant), and set up my laptop.

And then it begins: other people's conversations start leaking into my personal space. I can usually tune them out, but sometimes, it's hard. There's no avoiding it. 

Working on my Next Novel

Instead of being annoyed by these verbal intrusions, I've begun doing some ... ah ... judicious listening. Overheard conversations are wonderful places to gather real-life dialogue and interesting details and plot ideas. Writers have been carefully listening and taking notes for ages - it's a time-honored way of honing dialogue skills. Listening in on other people in public places is eavesdropping, yes, but I prefer to think of it as "dialogue research" intended for "character color". I've been jotting down the best snippets for months now - and getting some great stuff. I've collected wonderful bits and pieces of dialogue, and I thought it was a great time to share them.

Snippet Number One

Last week, when I was about to pack up and leave the coffee shop, two women sat down at the table nearest to me. I couldn't help but hear the job interview that the older woman was conducting for the younger one:

Older woman:   "You like to read?"

Younger woman:   "Um, yes."

Older woman:   "I mean, like a lot."

Younger woman:   "I can, if you want me to."

(At this point, I was drawn in. Intrigued. What kind of job involves lots of reading?)

Older woman:   "There would be stacks of books to read. Stacks like you've never seen."

Younger woman:   "As in ... manuscripts?"

Older woman:   "You'll have so many you won't know what to do with them."

Younger woman (laughs self-consciously):    "I bet."

Older woman:   "You'll have to read and pass the best ones on to me."

Younger woman:   "Okay."

Older woman:   "You'll learn to tell pretty quickly which are worth sending on to me."

Younger woman:   "I can do that."

(Now I had the sneaking suspicion that a literary agent was sitting at the table next to me! Holy Cow! Who was she? Had I submitted a manuscript to her?)

Older woman:   "Most are junk. You can tell by the first page."

(Younger woman laughs.)

Older woman:   "Sometimes by the first paragraph."

Younger woman:   "By the first sentence?"

Older woman:   "Sometimes! Yes!"

(Now I had a burning desire to rewrite the first page, paragraph, and sentence of my current novel.)

I scootched my chair a bit closer, trying to look innocent. They began talking about plots, and two-page synopses, and authors who don't know a Story Arc from Noah's Arc. Famous clients were mentioned. Publishers were brought up. By the time they left, I was in danger of falling onto their table, I was eavesdropping so hard. 

The last thing I overheard? The older woman asking how soon the younger woman could start.

Snippet Number Two

A few days later, I was seated next to an innocent-looking young woman. She sat at her laptop, wrapped up in her work and listening to music through her earbuds. I hardly noticed her, until a handsome young man sauntered up, pulled out a chair, and sat down across from her. That's when things got interesting. Apparently, he was late meeting her, and she was furious, as in white-faced, cold-voiced, seriously pissed off. I wasn't quick enough to capture many lines of dialogue, but what I got could be great fodder for a future scene:

Girl:   "I guess you and I have different definitions of the word SOON."

Boy:   "... but I was sorting my socks, Babe."

Girl:   "Since when does 'I'm leaving right now' mean an hour and a half later?"

Boy (tipping his chair back on two legs)   "I knew you would wait for me - so why should I hurry?"

That's all I got, but - Yikes! Oh, the simmering resentment and rage at that table! I found it hard to believe that these two would be together much longer. Great dialogue or not, it was too much for me. I found another, quieter, location, and left them to their altercation.

Snippet Number Three

The last one happened only last night. Three college-age women were having an earnest study session. It appeared that they were writing essays for a religious class or study group. They had a bible verse, and had dissected it from one angle and then another and shared their thoughts with each other. All well and good. I wasn't paying much attention - but then their conversation took a different turn, and I was all ears.

Jasmine (the only name I caught):   "I get all blushy over him."

Friend One:   "You do?"

Friend Two:   "You DO?"

Jasmine:   "I think of him like a boyfriend, like I'm in love with him."

(My hands went still on my keyboard. Could Jasmine be saying what I thought she might be? Really?)

Friend One:   "That's so cool."

Friend Two:   "What would you ... do with him?"

Jasmine (slowly):   "I get this FEELING when I think about him."

Friend One:   "Me too, a little."

Friend Two doesn't say anything but I hear her suck in her breath.

Jasmine:   "I think of myself doing something ordinary with him, like he was a real person. Like we would go out in canoes by Husky Stadium. Like we would hang out and talk, and he would be the best friend ever, the best listener."

(A pause.)

Jasmine:   "...like he would paddle when I got tired."

(I blinked. Wow. This was some good stuff, some inner thoughts and emotions. It was the most uncomfortable I've yet felt while jotting down overheard dialogue. For the first time, I actually felt like I was eavesdropping - but I couldn't stop.)

Friend One:   "Yes, Jesus would do that. For sure."

Friend Two:   "Oooooh, Jasmine. That's so good."

Jasmine:   "Yeah."

Friend One:   "I would hang out with Jesus."

Jasmine:   "Me too, definitely."

Friend Two:   "I would too." (Pause.) "But we wouldn't go paddling. We would watch old movies together and cry at the sad scenes together."

Friend One:   "Oh my god. That makes me shiver."

Jasmine:   "But now I'm hungry. I feel compelled by Jesus' love ... to buy a brownie."

That's all I have for now.

I'm sure there will be more - keep your eyes open for Intrepid Eavesdropper number two.

P.S. If you are ever in Seattle, near the University of Washington, stop in at Zoka and tell them I sent you. Here is their Website: http://www.zokacoffee.com/about-zoka-coffee/locations/