My Editor Speaks

Rebecca's Moment in the Sun

A big welcome to my editor at Ellora's Cave. Rebecca is the person who keeps me in line, who helps me whip my stories into shape, who chases down stray exclamation points and italics, who lets me be inventive with dashes because I'm not allowed to use semi-colons. She is my cheerleader in the scary big world of publishing, and I am so very lucky to have her. 

I am thrilled to have her visit my blog today.

Rebecca

Thanks to Gail for hosting me on her blog! My name is Rebecca Hill, and I’m an editor for Ellora’s Cave, the premier erotic romance publisher.

Gail caught my attention from the outset as an author who obviously has new, fresh and exciting ideas, but she really revved my engines when she submitted Inn On the Edge, an erotic horror novel for EC’s “Shivers” line. I adore horror stories and I really want to see more women writing in horror, as well as a marriage between the visceral reactions of fear and arousal, so erotic horror is a genre I’m wildly enthusiastic about.

Why should Stephen King have all the fun? We know that a natural reaction to fear is sexual desire, so the two genres are a match made in heaven.

Many people think of romance as a “throw-away” genre, but in my opinion, entertaining fiction engages the emotions. Good fiction engages the mind. And great fiction does both. If a story captures me both intellectually and emotionally, I’d be a fool to care where it’s shelved. That’s why I edit for EC, and why I’m so delighted to work with ground-breaking authors like Gail.

In my opinion, Gail’s at the cutting edge of the next big thing. Her work in progress, Over the Edge, set in the same universe, promises to be just as gripping.

I’ll be back for a guest post in the near future to talk about my editing methods – but don’t believe her when she says that’s a horror story all on its own!

Thank you Rebecca! 

What Rebecca hasn't mentioned is that not only is she a talented editor who works with a large stable of prolific authors, she is an author herself. She is the co-author of the erotic horror novella, "Smoke and Mirrors". I am thrilled to share this amazing book, which is available at Totally Bound.

Purchase Link for "Smoke and Mirrors" - https://www.totallybound.com/smoke-and-mirrors

Blurb for "Smoke and Mirrors"

Max has always been able to see things that aren't there…or perhaps his visions show people's true natures, in their reflections.

When he visits the circus one night, the last thing he expects is to fall in lust with the sexy knife-thrower, Lady Stiletto. But when he follows her into the funhouse — and into the hall of mirrors — they are both sucked into a warped and twisted world where time moves differently and nothing is what it seems…

Can Max find Lady Stiletto and save her from the madness of the mirror world? Or will he find only an echo, driven mad by the carnival of horrors they've been plunged into?

Reader Advisory: This story contains scenes of dubious consent, and mirror-world lovers who aren't all they seem.

Over the Edge - The First Excerpt

To my dear blog followers:

The time has arrived! 

I am ready to share the first few sneak peeks of my work-in-progress, Over the Edge. It is erotic horror, bound for the Ellora's Cave "Shivers" line. This full-length novel takes place in the same exotic world I created for Inn on the Edge and features the same manipulative sex demons. The setting is completely new - and it's deliciously chilling.

The Blurb:

Dahlia is a novice Healer who is accepted into a mysterious school in Seattle that teaches Curative Touch - only to realize too late that she and the other students are being used as a Guinea Pigs for newly-adult Sex Demons in training in the usage of their own powers. But Dahlia has done the forbidden: She's fallen in love with her Demon instructor and unearthed the truth.

Over the Edge - The First Excerpt 

(the opening two pages of the book):

     I stopped in front of a door painted in darkest, richest green.

     It wasn't the same entrance I'd been to before. The door before me was on a busier, wider, noisier street than the one around the corner that I was already familiar with. This door stood out from the others surrounding it—for one thing, it was enormous. Three people could pass through it side by side and not touch the doorsills, not even close. For another thing, the door itself was heavy and official-looking, as if it had been lifted from some building back in the old country and installed in this busy street in Seattle, with no care of how out-of-place it looked.

     Or maybe it gave the exact impression the Institute was going for?

     On either side of the door were other businesses. A restaurant on one side. A gift shop on the other. Beyond that, a second-hand clothing boutique. Further down the street, a pet shop. They all had signage and windows and crisp awnings—normal-looking entrances, all of them.

     Unlike mine.

     For months I'd been wondering about this strange place, this Institute. It had suddenly appeared without warning or fanfare in a downtown neighborhood I frequently passed through—I remember well the Friday afternoon I'd first seen this green door. I'd stopped in my tracks on the sidewalk, wondering where it had come from, wondering what lay behind it, curious to know what sorts of mysterious things went on in a place called the Institute of Curative Touch.

     And wondering if I'd ever work up the nerve to study there.

     Well, I did work up the courage. I went on-line. Found their website. Discovered to my joy that the Institute would be running an intensive eight-week Curative Touch session that summer. The students—only twelve would be selected—would stay in the Institute's living quarters, eat the Institute's food, have limited contact with the outside world, and would attend daily lectures, practicums, and healing demonstrations. The website warned that students were expected to "live and breathe" Curative Touch so they could participate in a "rigorous learning experience like no other".

     It sounded like heaven.

     I studied the website for hours, feeling like it was written with me in mind. Do you gravitate to people in pain? Lord help me, but I did. Do your hands itch to touch people? Yes! Sometimes I had to sit on my hands to keep them from roaming. Do you long to harness your inborn healing talent? Do you desire to be effective in your healing efforts? Are you willing to learn from those who have vast experience in the healing arts? Yes! Yes! And yes.

     Jumping-up-and-down-yes.

     Best of all, I could afford it.

     It wouldn't be difficult to schedule a hiatus from my freelance journalist work—I was my own boss and I was long overdue for a vacation. I checked with myself, and of course I said yes. Besides, I might write an article about my experiences at the Institute—it was bound to be interesting. I set up a tour, as requested of all potential students. On the appointed day, a delightful fellow named Jobeem met me at the side entrance. He led me through the main lecture hall, several classrooms, and a library.

     I approved.

     The next day I filled out the Institute's registration form and wrote three get-to-know-me essays—The First Time I Thought I Had Healing Touch, The first Time I Knew I Had Healing Touch, and The First Time I Was Shunned For My Healing Touch. The instructions had been to write a page or more about any three topics. Prospective students were urged to be as honest as possible, to delve deep, and to explore their feelings because everything would percolate to the surface when the coursework started and there was no sense hiding anything. So I told them everything. I put everything I had into those essays, even the thing about my grandmother who also had healing touch, and her mother, and hers, and so on.

     I bit my nails.

     Four months ago I received my acceptance letter and immediately sent a rather hefty deposit.

     I gushed about my summer plans to anyone who would listen.

     And it didn't even bother me much when people said I was crazy.

     Two weeks ago a stack of handouts arrived in the mail—among them, What Should You Pack?, What to Expect While You're With Us, The History of Curative Touch, and How Much Can a Touch Healer Accomplish in Today's High-Tech World?

     I devoured them.

     Yesterday, I took Pretty Kitty—my cat—to stay with my grandmother.

     All of which led me here, today, to this green door and to the new-student orientation. My adventure was about to begin.

     I tucked my hair behind my ear and took a calming breath, wishing I'd taken the time to eat something before coming here, wishing I had my camera, wishing that someone could take a picture of me by this antique door, all daring and poised on the threshold of my new life. As soon as I went in, I'd begin transforming into a newer, better version of myself. I'd be Dahlia Rehnquist, future healer. But I didn't have a camera. It hadn't been on the packing list.

     I was about to go in when a man came from behind me and reached for the doorknob, startling me.

     "Oh! I'm sorry—I didn't mean to make you jump," he said.

     I stepped aside. "It's okay."

     He looked at his watch, then at me. He didn't say anything.

     I gave him a sidelong look. I liked his eyes. He was a bit older than me, probably. He was tall, with wavy brown hair just long enough to brush his collar. He wore a dark jacket and had a sleek, many-pocketed backpack slung over his shoulder. He was handsome in a sandals-and-socks-in-winter athletic sort of way, a very Seattle look. A look that I'd always been partial to. Was he a student at the Institute, like me? Was he heading to the orientation?

     "No worries," I said, hoping.

     "Shall we?"

     I nodded.

     He opened the door and offered me a fleeting smile. "After you."

Thank you for reading. 
The Second Excerpt will come next week...