Showing posts with label Inn on the Edge. Show all posts
Showing posts with label Inn on the Edge. Show all posts

Friday, December 12, 2014

Good News!

Good News for a Rainy Winter Day

Yeah!

I just found out that my erotic novel, "Inn on the Edge" has been selected as a finalist in the EPIC book awards...and I am so excited I can hardly stand it. I have checked the website several times in the past hours, and - YEP! - THERE IT IS! - Gail Bridges, finalist in the Erotica category.

A Link to the page: EPIC Finalists

The Novel
It will be on 50% sale during March through Amazon and other outlets

I didn't find the news by myself; it turns out the announcement email they'd sent me went to my email's "spam" account. Who knows when I would have found the notice? Or if? I was lucky - a writer friend saw my name on the EPIC list and sent me a congratulatory note. I read her note in disbelief, then I staggered around with my head in the clouds and my toes barely skimming the ground for an entire day.

Self-portrait of me, being all excited

Now, it seems that the next step is to wait until March to find out who the winners are. According to the EPIC finalist's page, it looks like I am up against three other finalists in the Erotica category.

Good luck to us all!





Tuesday, October 28, 2014

Aliens and Cinnamon Rolls

Aliens and Cinnamon Rolls: What do they have in common?

Yes. It tastes just as good as it looks.
 


It's been more than a month since I've posted here, which is hard to believe. Life has thrown hammers at my head, and wrenches, and an anvil also (might as well throw in the entire tool box!) - but now I'm tentatively putting hands to keyboard and getting back to writing and blog-posting. It feels so good to get the creative juices flowing again.

I've been working on "Drawn to Scale", a new, just-for-fun sci-fi short story. I'm already more than seven thousand words into it (that translates to about 24 pages). Maybe it will grow into a Novella? I don't know, and I don't really care. I'm enjoying the writing.

The main character in Drawn to Scale is an alien linguist who has come to Earth as a Happiness Corp Volunteer (think Peace Corp). She has just experienced an unexpected "togetherness moment" with her Earth man counterpart ... but she's horribly embarrassed and upset because no one bothered to tell her that on Earth it is appallingly rude to mash up cinnamon rolls between your hands and lick off the resulting goo.

As you can see, I'm having fun with this story.

I am currently at the Starbucks in the hospital lobby while my husband is at his Yoga class. I'm eating this surprisingly delicious cinnamon roll in honor of the pastry in my story. Research, you know... although I'm not eating it the same way my character would!

The drink is a Pumpkin Spice Latte.
Oh boy, I think I'm going into sugar euphoria!

 

Wednesday, July 9, 2014

Who Loves Science Fiction?

I Do!

I've been a fan of Science Fiction almost since I could read. Ursula Le Guin, Anne McCaffrey, Heinlein...you name it, my nose was buried in it. And later, when I was more grown up, there was Octavia Butler (my idol) and Kage Baker (my other idol) and Sherri Tepper and Stephen Baxter and ... oh my, I can't begin to name them all. Reading good science fiction has a way of opening my mind to new ideas, of making me look at things in a different way. I never get tired of it.

My first full-length novel, The Architect of Grayland, is unabashedly, proudly Science Fiction. I wrote it several years ago - but recently lightening struck me in the form of a FANTASTIC idea, a dual story-line to insert into the story that will give it extra dimension and depth.

I HAD to do it! 

I must follow the muse where she leads. As many of you know, I have been working on an erotic horror novel called Over the Edge for the past six months. It is the sort-of-sequel to Inn on the Edge. I am currently about two-thirds of the way through writing it, I still love the story and the characters - but it can wait until my (very non-erotic) The Architect of Grayland has its day in the sun.

A mock-up cover I designed for "Architect"

The Blurb (as it stands right now):

The Architect of Grayland is a Science Fiction survival story with strong female characters who are engaged in a high-stakes battle over what it means to be human.

Elaine is one of eight people abducted by scientists of the distant future. She has been brought forward to their time and dropped into a barren gray habitat designed for the study of "primitive" human beings.

Awakening in their cruel experiment, never knowing where she is, Elaine must figure out how to create food, clothing, and shelter - or die. After finally making the things she needs, she strikes out on her own to search for others like herself, finding two fellow captives with whom she forms a tiny community.

But now Elaine is about to lose it all. Staying alive has just become immeasurably harder.

Assistant Professor Mirri Daaha, the Historical Anthropologist in charge of the experiment, is purposefully destroying Elaine's carefully constructed world for her own scheming ends. Elaine, however, refuses to give up. Drawing on her creative survival skills, she confronts one obstacle after another in her quest to bring herself and her friends safely home to the 21st century. What she never expects is the final cataclysmic confrontation with Assistant Professor Mirri Daaha.


Pitching The Architect of Grayland - YIKES!

A week from tomorrow, on July 17, I will be attending the Pacific Northwest Writer's Conference (PNWA) in Bellevue, Washington. My plan is to pitch the heck out of Architect, to do my utmost to get someone interested in it. I have two scheduled sessions to pitch it to literary agents and editors, and with the help of my husband, I am scurrying to perfect my verbal pitch. I will be pitching under my real name, Evelyn Arvey, which seems odd after having been a professional author for several years under my pen name, Gail Bridges.





Friday, June 27, 2014

AW Erotica Authors Blog Hop!



2014 Erotica Authors Blog Hop



Welcome to the second annual Absolute Write erotica authors blog hop. Follow the hop and discover new and exciting authors and their works and win lots of great prizes - we will be showcasing individual writers for more than two weeks. This is the sixth stop, so there is still plenty to see.

Today, I welcome author Crane Hana to my blog. She is the author of Moro's Price (blurb, cover art, and buy links below.) Tomorrow, please visit Crane's Blog, where she will have another great interview to share: Crane Hana's Blog

So glad to have you here, Crane!

The Interview:

1. As an erotic author, how much do you enjoy writing sexy scenes?

For me, writing sex scenes is fun, challenging, and scary all at once. Fun, because, hello, literary masturbation (to be blunt). Wait, I get paid to write this stuff? If I'm not reacting to a sex scene, I know my readers won't, either.

Challenging, because I want to find a balance between the characters' internal thoughts and reactions, and the simple physicality of sex.

Scary, because I stopped writing altogether for a few years, after a beta reader I trusted told me I'd just written the worst sex scene she'd ever read. She was right, it was awful, and I didn't pick up the skill until half a decade writing and reading fan fiction smut.

2. Is it easier to write action, sex, or emotional scenes?

I get more of a kick from emotional scenes than just sex scenes. Frankly, sex-for-sex's-sake bores me a little now. I want the complete package - searing sex and giddy emotional ranges.

3. Is there a story you want to write but feel the market is too crowded for?

I have a parody novel outlined, with the loose theme of Hipster Werewolves in the American West. It's meant to be an affectionately satirical sendup of all those alpha/omega M/M werewolf-shifter novels that are stock catalog fare for several erotic romance publishers. But by the time I get it finished, I suspect the craze will have died back.

4. If you could steal any erotic author’s career, whose would it be?

I'd mug L.A. Witt in a back alley for one-quarter of her career, because we both started writing-for-publication around the same time. But I'm lazier. And more easily distracted. And I have that pesky art career. Don't worry, Witt, I'll just worship you from afar and take inspiration from the freakishly large backlist you and your co-writers have amassed.

5. Do you listen to music when you write? If so, what kind?

I can't listen to music at all when I write - too many distractions, and I type so fast my scenes will outstrip their theme music. That said, I plot many stories to music. My debut novel, Moro's Price, is a M/M erotic romance space opera that I plotted mostly to the Daft Punk soundtrack to Tron: Legacy, and to several Tangerine Dream albums.

From Moro's Price: 
“You just saved my life, and all you want to do is die?”

Blurb for Moro's Price: 

Prince Valier gives suicidal escaped-slave Moro another option than leaping off a skyscraper - a few hours of meaningless rough sex, while Moro is infected with Val's lethal symbiont. Neither man expects Moro to survive, or become the one man in the galaxy who can tame Val's darker urges.

Attention is Arbitrary review for "Moro's Price":

“…vast political intrigue, manipulations everywhere and a tender, gentle and ruthlessly sexy love story.”

Buy links:



Saturday, May 31, 2014

Under the Spotlight: Having my Writing Critted

Having my Work Critiqued - 

A Frightening (?) Experience

The Ten Copies

Several months ago, I joined a local writer's critique group. I'd been looking for a group for some time, searching for other dedicated writers who would meet in person on a regular basis, discuss writing-related issues, and who could help me identify flaws and weak spots in my writing - as well as give me the thumbs-up when a piece is working well. It was time to bring more people onto the "Gail Bridges, author" team.

My husband is my primary developmental editor. He does a stellar job treading the dangerous waters between: "This is wonderful! Send it to your publisher - now!" and: "This chapter goes nowhere, does nothing, and is boring. Do you even know where your story is heading?"

He isn't known for mincing words. 

When I approached him about joining a critique group, he agreed with me that it would be helpful to bring in other voices, other opinions, other feedback.

"Give it a try," he urged. "What can it hurt?"

An online friend invited me to join her critique group. The group - No Safeword Writer's Group - seemed like a perfect fit. They're affiliated with (or used to be, it's hard to tell) The Center for Sex Positive Culture in Seattle, Washington. According to the group's blurb, a person is a good fit for the group if he or she has:

1. Written something that you thought was erotic,
2. Read erotica at least once. (Your own stuff counts!)
3. Learned to respect yourself...along with other people and their writing,
4. Decided you're ready to share your work.

Okay. According to those parameters, the group would be a good fit for me and my work.

I went to an introductory meeting. Nice people, great conversation, and an interesting, well-informed critique session for the person who was sharing her work (which turned out, coincidentally, to be my internet friend.) I joined the group, right then and there. I also signed up to share a chapter of my novel-in-process, Over the Edge, at the next meeting.

The Meeting


The Chapter...With Plenty of Red Pen Marks

The day before the meeting, I went to the copy shop and made ten copies of the fourteen-page chapter. They made a nice little stack.

I wasn't nervous. No. Not me. Uh-uh.

The day of the meeting, my husband and I went to the restaurant, a dingy, dim, throwback fifties-style place with booths running along each long wall and a jukebox in the front corner. We went into the back room, the room with surprisingly charming stone fireplace, and took our seats. My internet friend was already there, wearing a gorgeous hand-knit scarf. We ordered lunch, chatted, got to know the other people - and all the while those ten manuscripts were getting heavier and heavier, burning a hole in my shoulder bag. I had a hard time concentrating on the conversation. My thoughts were running rampant: What will people say? Will they like the chapter or will they tear it to shreds? I won't burst into tears...right?

No, I wouldn't. I could take whatever they'd dish out.

I knew how to take constructive criticism. I'd done this sort of thing before. In Art school I had my work critted (the way the cool people say it) many, many times.  I'd even had my writing critted in Creative Writing courses at the University of Washington. So I'd had plenty of experience - but, somehow, that didn't make it any easier as I looked down the table at the faces eager to see my work.

It was time. Catching-up-and-chatting time was over. The food had been served. The group leader motioned for me to pass out the chapters, and she handed around red ball-point pens. "For the next hour or so, we'll eat our lunches and read your work - and write comments," she explained in her rich Texan accent. "Then we'll discuss it for maybe another hour after that. All nice and tidy. Sound good?" She turned to me. "Ready, hon?"

"Yep," I said, smiling, trying to seem confident. "go for it."

"I can't wait to read your work," said my internet friend, settling in with the manuscript. She popped the cap off her pen and held it at the ready.

Then passed the longest hour in the history of writing.

It was grueling. I nibbled at my hamburger while the people around me slashed and burned their way through my manuscript. At least that was what it looked like from the clandestine peeks I stole. Every time someone put pen to paper, I cringed. One person made slashes so large I could see them from where I sat. Another person wrote a paragraph of tight red writing on the margin of the page. Yet another had an entire list of things. When I couldn't take it any longer, I ate a French fry.

And then there was my husband. He had a red pen too. He, also, was slashing and burning. "Weird," he murmured, raising an eyebrow my direction. "...I didn't see this when I read it before."

Lovely.

The Critiques

All in Good Faith

"It's time," said the group leader. "Put your pens down. Who would like to start the discussion?"

A slim man immediately spoke up. He looked from the manuscript to me, his eyes bright. "I'm looking at the first sentence. It could use work." He tapped the paper with the pen, leaving little red dots on it.

"I liked it," said the group leader.

"I don't know...I think if she switched the words around, it would be stronger."

"She could use a stronger word, maybe," said the man sitting at the end of the table.

"Or eliminate the sentence altogether," said the first man.

The woman shook her head. "Don't listen to them, hon. Keep it like it is."

"I agree," said my internet friend.

And so it began.

I took notes, my husband took notes. We filled our own copies of the manuscript with hurried, cramped, barely-legible writing, trying to put their suggestions into our own words. These people were good. The suggestions were right on, most of them. One after another, without respite, they suggested places I could tighten up this, expound on that, provide a bit more background...and so on.

After the discussion wound down, the leader collected the marked-up manuscripts. She patted them into a neat bundle, set them on edge, and tapped the top. "Remember what I said, hon. It's your story. It's your voice. You get to make the decisions." She handed the bundle to me. "But here's the thing. If only one person has a suggestion about a particular thing, think about it. If six people all say the same thing...really think about it."

"Thanks," I said, stuffing the papers into my shoulder bag again. "This was amazing. I'll think about everything, for sure. I'll go over the notes with a fine-toothed comb."

"We both will," added my husband.

The leader put her long-nailed, black-polished fingers on my arm. She leaned in close. Her breath smelled like French fries. "Hon. They loved your work. They never get this excited unless it's for something they're absolutely crazy about."

I grinned. Nice to know.

Working on the Changes

Was it worth it? Absolutely. 
Was it frightening? A bit, but in a good, helpful way. 
Will I do it again? As often as they let me!



Wednesday, May 21, 2014

Reality Bites (Eavesdroppers Anonymous)

The Intrepid Eavesdropper


She's at it again.

The Intrepid Eavesdropper has been gathering One-Liners, tiny little morsels that have quite a punch to them. Each of them makes me wonder about the rest of the story: What happened in Rwanda? What is a Rodeo Commissioner, anyway? So - before I give them all away - here are they are.

Reality Bites: One Liners


1: "Hey. Tell me about Rwanda."

2: "She studied so hard. She took forty-five practice tests! When she finally took the test and sent it off to them...well...she never heard back. Never heard a thing. Nothing. Why? Why is that? Why would they do that to her?"

3: "How did you write it? I mean, seriously—how did you do it?"

4. (Extremely outraged.) "You never told me you had another grandkid!"

5. "The rodeo commissioner is coming on Monday with his score card."

6. "You know what Molly said to me this morning? 'Mommy! Mommy! My goldfish recognizes me now! He just did tricks for me in his bowl!' Isn't that too cute? I couldn't bear to tell her the truth."

Looking cute is a trick, right?


Snippet Number One: We'll Do Great Things


Two men are at the next table. Both have crew cuts. They're in their fifties, or maybe their sixties. One guy is doing most of the talking. He's excited. He talks fast, his words clipped, his voice full of excitement. He teeters on his chair, leaning back, leaning forward, rocking even. The back of his neck is pink from too much sun, and the bottom of his crew cut sticks straight out from his head like a bristle brush. Evidently, the two men are Christian film-makers, discussing a collaboration.

"I was in Ethiopia, doing a project," says Crew Cut. "I was working with Jeff. You remember Jeff? We were dragging our stuff around the villages, you know, doing our jobs, talking to people, spreading the word. We had the support of five churches, maybe six. I got back to my hotel one night, looked at my camera, and ... BANG! I said, why don't we make a documentary?" Crew Cut bangs his chair onto the floor, as if he were doing sound effects.

"How did it begin?" The other man is soft-spoken, but I feel that he is the one with the power, the one that Crew Cut is trying to impress. "Tell me how you got it going."

Crew Cut leans forward. "I knew I could make a documentary about what we were doing. I sat down that same night and planned it all out. Stayed up all night. I wrote it all down on a white board, every last idea. The story board, you know. In the morning I showed the story board to Jeff. He got behind it right away. He was all excited."

"Yes. He would be, wouldn't he?"

Crew Cut is in such a hurry to tell his story to this man that his words are starting to slur. "So we began filming, like two days after. We already had a camera, you know? Other people helped us. We had a driver, and Christian kids from the local church." Crew Cut crosses his legs, then uncrosses them. He leans forward. "The locals were confused about what we were doing, but we ended up with a knock-out film, you know?"

"You showed it around, if I recall?"

"Absolutely. In churches all over the country. People loved it. Craig Wright especially put his weight behind it."

"Really?"

Crew Cut's voice lowers. "But it all went sideways. Jeff got ran over when it went sour. He took the brunt of it."

"Yes. I heard about that."

They're silent for a long moment. They drink from their coffee. Then Crew Cut leans forward again.

"We're going to start a new project," he says. "We're going to bring Rick and Bobby in."

"Good thinking."

"There's a story there - I'll tell you the whole story if we end up working together. Rick fired Bobby's guys, the specialists that he'd brought in, and that didn't sit well with Bobby. It's like politicians, you know? They're jerks."

The quiet man regards Crew Cut. He seems to come to some sort of decision. "I like you," he says. "You're a great producer, and you're part of a good community. You have people backing you. "

I can tell that Crew Cut is almost weak with anticipation. And then it comes, the words he's been waiting to hear:

"I'd like to work with you.We'll do great things."

Why don't we do a documentary?



Snippet Number Two: A Special Case


Two women are squeezed into a nearby table. As in Snippet Number One, one of the women is doing eighty percent of the talking. I find her voice very irritating, very loud and gravelly. She talks with lots of animation, hand movements, shifting around in her chair, bobbing her head - she could almost be Crew Cut's twin sister. She has neck-length curly blond hair and sunglasses perched on her head. The second woman seems to have only two positions she's comfortable in: she's either resting her chin on her hand, or she holds her hands clasped primly together on the table. It's a sunny day. I get the feeling that Prim Hands would rather be anywhere rather than here, talking with Gravel Voice. It's my guess that both of them are administrators for the Seattle Public Schools.

"Those kids were wild," says Gravel Voice. "I went in there to help the teacher because she couldn't control them. I told those kids, no inappropriate touching. Absolutely no touching, ever. No touching other kids, even through clothing."

Prim Hands nods. "There were problems in that class, yeah."

"Where was the principal?" demands Gravel Voice. "The class was eroding! The parents were in an uproar. The kids weren't happy. The teacher was falling apart." She sets her coffee cup on the table. "The Principal didn't lift a hand to help that teacher. But you know what? She wants a readerboard!"

"I heard about that."

"She wants it to be up for 2018 - so we gave the school ten thousand dollars last May."

"Right."

"But she's a worthless principal. She won't see about getting a second person in that problem class."

Prim Hands sighs. "It wasn't part of my contract, but I did look into what we could do about her. Not much. Principals are a special case."

Gravel Voice coughs. "Excuse me," she sputters. Maybe her voice sounds the way it does because she has a cold? "Sorry about that. Horrible sore throat. Anyway, they said she was having a hard time. With her daughter." She pauses. "Do you KNOW what happened to that ten thousand dollars, by the way?"

"No. I didn't hear anything."

"She mislabeled the money - can you believe it - and they lost it!"

"No way."

"They have no idea what happened to the money we gave them. They must have spent it on other stuff. So now we're out ten thousand ... and they still want a readerboard."

Sorry, not yet, guys. You lost the money.



Sunday, May 18, 2014

Guest Author Anais Morgan

Gail's Place Welcomes Author Anais Morgan


I'd like to welcome fellow erotica writer Anais Morgan to my blog. She is a talented author, and a fellow member of my favorite writer's forum, Absolute Write. I'm so glad she could join me here today. Best of wishes for her new release, Bite of the Recluse, from Evernight Publishing.



     Blurb:

Two years ago while Tristan and his boyfriend were enjoying some privacy, a recluse demon attacked them and his lover paid the ultimate price. Since that day, Tristan has dedicated himself to finding the demon. After all, an eye for an eye. All evidence points to a recluse named Damon.

Like all spider demons Damon knows about Tristan’s mission and is forced to stay on the move. But fate has a wicked sense of humor and they must team up to fight the real killer. But when she's closer than Tristan expected, his and Damon's relationship is tested before it can begin.


     Excerpt:
 

He placed his hands on his hips. “I need to see. I need all the pieces of the puzzle.”

Kill me now, God. “I have a sore spot. It started hurting shortly after Marcus died. I’ve always meant to go to the doctor, but looking for Marcus’ killer became priority.”

“Okay. Well, where is it?”

Please God, kill me now. Not only did I not want to drop trou, but in front of a demon? More importantly, in front of Damon, and those magnificent eyes, gorgeous body, and desirable lips? How in Jesus’ name I became attracted to him blew my mind. For that matter, when? Completely out of left field. It hit me suddenly. We were driving, talking, at the mountain, and suddenly I felt it. A passion I’d forsaken years ago. Yet, here I was, my cheeks reddening. Fuck it. I sighed, stood up and began unbuckling my belt. I slid my pants down.

Damon backed up a few feet. “Umm, what are you doing?”

“The bite is on my thigh.” I lifted my boxers to just the bottom of my butt cheek. “My upper thigh.”

Damon gazed over me skeptically before kneeling down in front of me. I felt his warm fingertips touch my skin. To my surprise, I had to do everything in my power to stop from shivering. The way his touch felt, his fingers dancing over that sensitive spot… It normally hurt, but Damon was so gentle with me that it caused a different reaction. A different, dangerous reaction.

I glanced behind me. Damon looked up, his gorgeous silvery eyes gleaming with…lust? No, that couldn’t be it. But I thought it was. I drank in his gaze, the power behind those eyes. I had the urge to push him on the bed and allow our feet to entwine as we spent hours in bed together. Instead I pulled up my pants. Much smarter move.

“What do you think?” I asked.

He stared at me, a look of confusion crossing his face before he smiled and moved back to his seat. “Definitely recluse. I’d say my sister bit you.”

My skin burned from his touch. I wanted to, desired more than anything, to ask him to touch me again. I peered at him from below my lashes. He was doing the same. Fuck it. I rushed over to his chair and placed my lips upon his, claiming his mouth. The way he slipped his tongue past the barrier made my cock harden. I did the same, and our tongues danced with one another’s. He was warm, inviting, and didn’t hold back. My breath became harsh as I stilled, afraid of what I had just done.

I quickly pulled away and ran for the bathroom. Once inside I closed the door and pressed my body against it, hoping that if Damon came knocking, he couldn’t get in.

I knew I stunk. Plus I had a massive erection in my jeans. I turned on the water of the shower and got it to a nice temperature. After undressing, I stepped beneath the spray.


     Rafflecopter Giveaway:


Rafflecopter giveaway: <a id="rc-cd8b361" class="rafl" href="http://www.rafflecopter.com/rafl/display/cd8b361/"; rel="nofollow">a Rafflecopter giveaway</a>
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Links:



Character Interview:

What was your first reaction when you saw each other?
Damon: I thought: “Fuck, he found me. I’m so dead. Hope they still have my bed made in Hell for when I return. In pieces.”
Tristan: I was happy to see him, but not in a good way for him. Since I had been under the impression that Damon killed my lover, I saw those silver eyes and thought pay day had finally come.
 
When did you first become physically attracted?
Damon: I was attracted at the get go. Right when we exchanged glances. Couldn’t say anything though. Trying to force back a massive hard on was difficult, even if I knew what he was there for. To send me straight back to Hell.
Tristan: I have no idea. It had been all business between us, and then it hit me how gorgeous he was. Those eyes, that soft expression…I was hooked as soon as I got my head out of my ass.
 
What physical quality to you like best?
Damon: I really like Tristan’s ass. Gorgeous in his stone-washed blue jeans.
Tristan: Have you seen Damon’s cock? I guess not, since he doesn’t whip it out every chance he gets, but it’s magnificent. The curve, the head, just mouth watering.
 
What physical quality do you like least?
Damon: His knees. They’re just bulky and kind of dry-looking.
Tristan: His split ends. Damon is in need of a haircut.
 
A secret?
Damon: Secrets. Uh, do I have a lot. But the biggest secret of all is that a demon’s time on earth isn’t infinite. We are from Hell, many of us are sent for reasons, and there are only two situations in which a demon is sent back to hell. Death or because the big man down under has called us back. I fear my time may be up soon and I don’t dare tell Tristan.
Tristan: Even though Damon and I have a blast, I’m afraid to let go of my ex, Marcus. I truly loved him and am afraid that I can never give my heart over to Damon. And I hate wearing socks because my feet get claustrophobic.

Tuesday, April 29, 2014

A Special Offer, an Invitation, and a Giveaway

Join the Inn on the Edge Group Read

May 5 - 11 

Erotic Enchants Group on Goodreads and a 50% off Sale on Ellora's Cave and Amazon


Now on sale! 
$3.99 on Ellora's Cave 
$4.99 on Amazon
(Links below)

Great News! My novel, Inn on the Edge, has been chosen to be the featured group read on the Goodreads Erotic Enchants group on May 5 - 11. Lots of fun things are planned for the week. I will be running contests and giveaways, and dropping in every day to chat with participants. I have put together a fantastic gift basket (shown below) for one lucky reader.

The Prize Basket

To participate in the group read:

Join Goodreads. Then join the "Erotic Enchants" group on Goodreads. This is a fun-loving, friendly group of readers that love everything erotica. On the Erotic Enchants forum, you will find the thread for the group read in the "Monthly Group Reads" section. I'll watch for you there!

Goodreads: www.goodreads.com



To find Inn on the Edge on sale:

Ellora's Cave: Inn on the Edge - $3.99

Sunday, April 20, 2014

What I Overheard - Number Three


The Intrepid Eavesdropper Strikes Again

More Fascinating Snippets From Coffee Shops

I Wonder If They Can See Me?


As I prepare these snippets for this blog post, one thing keeps jumping out at me: A sense of unfinished business. As my eavesdropping alter-ego, I drop into and out of conversations, never hearing one in its entirety. But it's more than the fact that conversations are often clipped short. What's most disconcerting to me is that I usually have no clear idea what the people are talking about. 

To me, the uninvited outsider, it seems as if the conversations I hear meander around a subject, never mentioning the facts, never spelling out the details of the inciting incident, never explaining things so eavesdroppers can understand. But hey. I can't complain, can I? It comes with the territory. Having no idea what is going on adds to the mystery. With that in mind, here are today's snippets.


Snippet Number One:  "Oh, Mama, Please Don't Cry"

I'm in the Starbucks in the hospital lobby. Once again, it's raining. I'm in a cranky mood - my favorite table is occupied by a man writing on his laptop, a man who looks like he's settled in for a good long stay. I'm wrestling with a difficult scene of my novel. My hour-and-a-half of writing session is almost up. At any moment my husband will glide up silently behind me, touch my shoulder with a single finger, and startle the living daylights out of me. (The sneak.) 

It's his favorite way to pester me. I invariably jump. Sometimes I squeal. His favorite is when I jump and squeal. Because one of these days I intend to catch him in the dastardly act, I turn around in my seat every minute or so to check for his sneaky approach - and that's when I become aware of the woman.

She is pacing back and forth in the Starbucks, on her cell phone.

"Don't cry. Please don't cry," she says. She's upset.

Actually, it's more than that. She's beside herself, she's so upset. Her obvious distress is painful for me to watch. Obviously, this is not good fodder for my Intrepid Eavesdropper column, so I go back to my novel. I type two sentences. I glare at them. And then I delete them.

The woman passes by me again. "Oh, Mama, please, please don't cry."

I watch her from the corner of my eye. Poor thing, she's almost crying herself.

"I didn't mean it that way," she says so quietly I wouldn't have heard her if she wasn't passing right in back of me.

She walks out the door, and then in again.

"Mama, you know I'd never say that." She stands by the potted palm, sniffing. "...Just please don't cry."

She heads toward the door.

"I'm coming. Mama, I'm coming. Wait for me."

And then, she's gone.

I'm left feeling rather devastated on her behalf, wondering what on earth happened. Why was her Mama crying? What had the woman said that started such a cascade of tears? I'm still hearing her voice in my mind when it comes: the dreaded touch on my shoulder. I jump. I squeal. Once again I've had the living daylights startled out of me.

I'm Sorry, Mama



Snippet Number Two:  "It Never Ends, Does It?"

There are two college age women sitting side by side at the next table. They're studying vocabulary for a science class, going over words such as "en vitro" and "endoplasmic reticulum" and others that I do not catch.

The odd thing? Every minute or so, the women exchange laptops. As in: they pick them up, cords and all, and pass them across the table in a coordinated effort without saying a word about it. The table is small. It only barely accommodates the two laptops, the two mugs of mocha, and the little plates that hold the bits and pieces of their leftover cookies. The passing of laptops is not a big production for the women. They just...do it...and continue typing away and studying as if nothing out of the ordinary had happened.

"Are you going home for Easter?" asks the one with her hair in a bundled-up ponytail. They're between vocabulary words.

Without missing a beat, they switch laptops.

"Uh-uh," says her friend, the one with the long strawberry blonde hair. "Are you?"

"No. But my Mom is making me an Easter basket anyway. Even though I'm not going to be there."

They switch laptops.

"Aw. That's so sweet!" Ponytail Girl says. "I never got Easter baskets." She types something, frowns, types some more. "Here's a new one. What is the behavior of (insert big scientific word) when under the influence of (insert a second big scientific word)? What's that again? Do you remember?"

"Um. Yes. It's (insert third big scientific word). Hey. Your touch pad is seriously f*cked up."

"I know."

They switch laptops.

"It never ends, does it?" says Strawberry Blonde.

My ears perk up. Are they talking about the constant switching of their laptops? Is that what never ends? But I am no more clued in by the rest of the conversation.

"I finished this one," Ponytail Girl picks up cookie crumbs with the tip of her finger. "But I have four more to go."

"I have five. Shit."

They switch laptops.

I'm frustrated over here at the next table. I'm none the wiser, and they're not helping me! What is it that never ends? She has five of what left? Does it have something to do with passing their laptops back and forth? Are they playing a game as they do their homework? I'm going insane over here, but I force myself to follow my self-imposed rules of listen, watch, record...but don't ask, don't get involved.

They switch laptops again and again, and again. I never do figure out what is going on. And then it all stops. Inexplicably and without discussion. Everything goes quiet at the next table. No more vocabulary words. No more switching laptops. The show is over.

Women with Laptops


Wednesday, April 16, 2014

Over The Edge - The Second Excerpt: The Nurturing Forces

It's Time To Share Again!

Several weeks ago, I posted the opening pages of my work in progress. I'm now ready to share another excerpt, this time from further into the book. Over the Edge is an erotic horror novel destined for the Shivers line at Ellora's Cave (my publisher).

Over the Edge: The Blurb

Dahlia, a novice Healer, is accepted into a mysterious school in Seattle that teaches Curative Touch - only to realize too late that she is in grave danger. She and the other students are being used as a Guinea Pigs for newly-adult Sex Demons in training in the usage of their own powers. But Dahlia has done the forbidden: She's fallen in love with her Demon instructor and unearthed the truth.

The Excerpt:

(The setting for this excerpt: It is the first day of lessons at the Institute. Dahlia and her classmates are learning the first exciting steps of Curative Touch, as taught by ... Demons.)



     Professor Abiba turned to his audience. "And now I shall conduct a little exercise, to get us started. Put your hands together. Like this." He clasped his hands in a prayerful sort of way and held them out for all to see.
     We copied him, a room full of pious students.
     "Now give your hands to the person sitting next to you. One of you will put your hands over the other person's hands. Gently, now." 
     I turned to Coralee. She took my hands in hers, and her skin felt warm and dry. We smiled shyly at each other at this intimate, unexpected contact. On my other side, Ellen moved a few seats over so she could give her hands to Preston.
     Professor Abiba's voice turned soothing. "This is your first official lesson at the Institute. A momentous occasion, to be sure." He waited until the last student pairing was settled, and then continued. "Rule Number One. Always ask for permission before you start a healing. Always. Without fail. Even if the person has requested your help. Even if you are only doing a practicum with your Model. It is an enormous breach of trust to not do so."
     I sat with my hands embraced by Coralee's, pondering his words and wondering—had I asked permission before touching people during my painful years of stumbling in the dark trying to help people? Always and without fail?
     I knew I hadn't.
     Sometimes—most times—I had, but not always. Perhaps I didn't have explicit permission, but I always had implicit permission. I always knew that what I had to give was something they wanted.
Professor Abiba cleared his throat. "But once isn't enough. Asking permission is a two-part process because we believe that asking once isn't sufficient. We must let patients know exactly what we want to do. But fear not, my earnest pupils, for I shall teach you the verbiage." He nodded sagely. He raised a lone finger as emphasis. "First, acknowledge your patient's suffering. Use their name if you can. Now listen closely. These are the exact words—except for the name—that you must memorize and take to heart." He cleared his throat, looked at his wife, and then spoke in a theatrical-sounding voice. "Zettia, you are suffering. May I put my hands on you?"
     Mistress Anjoli inclined her head.
     He turned back to us. "Now you do it. Go ahead. Say the words to the person whose hands you hold."
     Coralee and I shared an excited little smile.
     I took the plunge. "Coralee, you are suffering. May I put my hands on you?"
     Her eyes shone. "And I see that you are suffering too, Dahlia. May I put my hands on you?"
     The same thing was echoed all around us, with minor variations.
     Professor Abiba nodded. "Well done. Now for the second part. May I conduct a healing for you?"
     I turned back to Coralee. "May I conduct a healing for you?"
     Coralee said the words back to me.
     We squeezed each other's hands, a silent yes. Then I thought about Gage, about how he'd put his hands on me yesterday, about how he'd said these very words. He'd even used my name.
     It made me shiver.
     Professor Abiba was speaking again. "The words I just taught you will become so familiar that you will be able to say them in your sleep. They are words that will stay with you for the rest of your lives. They are potent words which will settle you into the proper frame of mind to unlock your Curative Energy."
     They'd certainly been potent when Gage had said them to me.
     Professor Abiba waited an extra moment before continuing. "But even that is not enough. You are not yet ready to begin a healing. You must obtain assent." He moved to the edge of the platform. "The assent doesn't need to be verbal, because sometimes a patient may not be able to speak, but it must be clearly given. Why do we need assent? Why can't we heal a person just because we can, because we have the knowledge and the ability, and because we wish to help those in pain?" He left the stage, taking his robes in his hands and raising them to knee height before letting them drop again after he stepped down to the lower level. He was wearing loose ankle-length white pants underneath. "Why do we wait for assent? Because the nature of what we do demands it."
     He walked back and forth, so tall that he towered above us. Coralee and I, still holding hands, craned our heads when he came our direction. Then he turned around and walked the other way.
     "You see," he said, "our art works best if a patient is complicit in their own healing."
     Oh! I hadn't known that. I wished my hands were free so I could write it down.
     "A willing patient will open themselves to you. A willing patient will be relaxed. He or she will respond to your touch. He or she will offer their energy to you, even if they do not realize what they are doing." He stopped in front of me and Coralee. "Take these lovely young ladies in the first row. Our Dahlia will utilize Coralee's energy alongside her own to do her healing work. Two streams of energy are stronger than one. Understand?"
     "Yes," I whispered. Because I did understand, and it was beautiful. It was simple. And it was so obvious, although I hadn't seen it until Professor Abiba had shown me.
     I stared up at him, transfixed.
     And then I wondered how he'd known our names.
     He moved away. "Good. My job is to teach you to direct the flow of energy. To use it for a specific purpose, targeted toward one part of the body. And to direct your patient's energy alongside your own. It's more complicated than that, of course, but that right there is the basis of Curative Touch as we understand it." He stepped back up onto the podium. "You're still connected with your patient, still holding hands. You've asked for permission. Twice. You've obtained assent. Now it's time for the next step. Ask your patient to close his or her eyes."
     I asked Coralee to close her eyes. And then I closed mine.
     His voice came out of the darkness, silky and warm. "Now we're starting the simulated healing. Keep hold of your partner's hands. Take your time. Be gentle but firm. Be mindful." He waited a good minute or two. "Your hands should be feeling heavier. And getting warmer."
     I sucked in my breath. My hands were getting warmer, just as he'd said. And they felt like they weighed twenty pounds. I wondered if Coralee's hands felt like that too. I noticed that we'd allowed our joined hands to fall to the arm rest that separated our seats. I breathed in, out. In, out. Taking my time.
Finally, he spoke again. "This is a simulation. We're not going to do any healing this time. All I want is for you to know what it will feel like when we actually do get to that point." He paused between each instruction. "Feel your partner's skin…feel your own skin…feel where your fingertips meet…feel your partner's warmth…take it in…share your own warmth with your partner. Feel it. Don't think of anything else—just feel."
     Institute Time was a funny thing.
     It seemed to stand still, waiting, poised, full of potential.
     And then, without warning, something wonderful happened. Color! Fiery vermillion! A shocking burst of brilliant red that flooded my awareness and left me dumbstruck. Even though my eyes were closed, I saw color all around, so much so that it crowded out everything else. I became a ball of pure red light with the name Dahlia attached to it, and it was the most marvelous thing that had ever happened to me.
     I made some sort of sound.
     "Ah," said Professor Abiba.
     I opened my eyes to find him standing right in front of me.
     "Tell me, my dear—what just happened?"
     "Color!" I gasped. "I see red!"
     He regarded me, looking rather proud. "Ladies and Gentlemen," he said to my fellow students as he gently parted my hands from Coralee's. "Something momentous has just happened here. A benchmark. And it happened well before anticipated. We don't usually see this occur for days yet." He tugged lightly on my arm, urging me to stand next to him. Which I did, still seeing the world tinged in that delicious vermillion. "Our Dahlia has accessed the Nurturing Forces! Let us give her a round of applause!"
     They clapped for me, all of them, as I stood dazed and happy next to my professor.
     The Nurturing Forces.
     Who knew they were red?

***

(End of Excerpt)


Working on 'Over the Edge'

Thank you for reading! I'm still hard at work on Over the Edge - I'm currently just over 40,000 words into the novel, almost halfway through. I plan to post more excerpts occasionally, so please do check back.

Thursday, April 10, 2014

My Writer's Studio - A Tour

...Which Studio Would That Be, Exactly?


I don't actually have a writing studio, let me admit that right away. It's entirely my fault - over the years, I have taken over every available space in our home. Twenty years ago, I created a wonderful painting and metal arts studio in my basement (photo below). Several years later, I made a ceramics studio in my former dining room (also photo below). More recently, I've stashed my sewing and leather working materials in the living room. It goes without saying that I have the most understanding husband in the world. So how can I complain about not having a writing studio? I look at it another way: I'm lucky! I don't have only one place to write - I have five of them. 

#1  At Home: The Kitchen Table
It has its advantages: It's comfortable. It's close to everything. I'm aware of what's happening with family members. My snacks and tea warmer are nearby. But by the same token...it's the kitchen table! I'm too available. Dishes need washing and dinner needs to be started and the front door needs to be answered and the cats need attention - and just look at that mess on the counter behind me. The kitchen table is right in the middle of family life and sometimes it's impossible to keep distractions at bay.
Writing At Home - The Kitchen Table


#2  At Home: In the Guest Bedroom
When things get too distracting in the kitchen, I take myself upstairs to the bedroom my daughter vacated when she moved out ten years ago. It's now the guest room, so that can be problematic at times. Also problematic is the view out the window. In the above photo, you can clearly see the neighbor's walkway to their house. A couple of weeks ago, I was writing but I kept noticing that their dog - a large, fluffy, sweet thing - was loose. Aw. Look. She's wandering around. Don't they see her? Isn't someone going to lead her back home? No? Really? There is no-one out there? She's heading down the block! Where is our neighbor? (Sigh. Harrumph. Sigh.) So I went out and retrieved her and took her home, which pretty much put an end to writing that afternoon.

Writing At Home - In My Daughter's Old Bedroom


#3  At Home: In Bed
Sometimes the story just won't stop, and I have to drag my laptop into bed with me. I have a nifty little table on legs that I set it on, and it works just fine for a couple of hours or until my back starts complaining. The mouse (I hate the touch pad on my laptop) is more problematic - the lap table is too small for it, so I have to prop it on a book on the bed itself. That works pretty well, as long as one of my five cats doesn't bat it around as if it were a real mouse. In the photo, you can barely make out Felix, our white-and-orange long-hair. He's to the right of the mouse, in perfect batting position.

Writing At Home - In Bed


#4  Out and About: Zoka
I love this place. I try to go there a couple times a week, and I like to stay for around three hours a session. I have my favorite table (the one in the photo). It's to the left of the entrance, and is perfectly situated by a convenient electrical outlet. The light from the huge window doesn't cast a glare on my laptop screen if I inch the table a bit out from the wall. It's perfect. I can people-watch. And I can put my plate of flour-less chocolate cake on the windowsill, as you can see in the picture. It's all so, so nice. 

Two days ago, when I was writing at Zoka, I asked the the very nice barista who manages the place to take this photo of me during a pause between her customers. After the photo was taken, I wrote an entire chapter of my novel - and the new material was keepers, quality stuff. I was so pleased!

At the Coffee Shop - Zoka
(Prime Intrepid Eavesdropper Location No. 1)


#5  Out and About: Starbucks in the Hospital Lobby
I find myself at this coffee shop once a week, on Tuesday mornings. The place is small enough that I get grumpy if I don't get my favorite table by the potted palm. I wasn't so lucky in this photo. A steady stream of people pass by, which can be either interesting or distracting, depending on my mood and on how my writing is going. On very special occasions, a friend of mine who works at the hospital can pry herself away from her post and join me for a quick break.

At the Starbucks in the Hospital Lobby
(Prime Intrepid Eavesdropper Location No. 2)


Other locations:
There are other places that I occasionally will take my laptop to, such as the waiting room at the dentist's office, or to my parent's house, or to the park. But the above five "studios" are the places that I have done the bulk of my writing during the past few years.

It's funny.

Certain locations, certain tables, certain chairs even, have become associated with the scenes that I wrote at them. As clear as crystal, I remember sitting at the table to the right of the one pictured above (at the Starbucks), putting together a favorite scene where my characters were having their first banquet at the inn of Inn on the Edge. I remember sitting there, sipping the froth off my mocha, and describing luscious almond croissants ... and steaming blueberry muffins ... and buttermilk biscuits with fresh butter and honey dribbled onto them... hey. I must have been hungry at the time!

That's all for now, except for the promised photos of my metalworking studio and my ceramics area. I must go make some blueberry muffins. It seems I'm hungry all the time!

Metals Studio, With Two Cats

Ceramics Area, Also With Two Cats